Bedienungsanleitung AAS String Studio VS-1 (Seite 50 von 71) (Englisch)

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50 Parameters

The Delay drop down menu is used to choose between different delay algorithms. The effect

can be synchronized to the Clock module with the Sync drop-down menu. Sync values range from

1/8 of a quarter note (a thirty-second note) to 16 quarter notes (4 whole notes) where the duration

of the whole note is determined by the value (in BPM) appearing in the Tempo display of the Clock

module. The effect can also be synced to a triplet (t) or dotted note (d).

The different delay algorithms can be controlled with the three knobs appearing at the bottom

of the module. The Mix knob is used to adjust the ratio of “dry” and “wet” in the output signal of

the module. When the knob is adjusted in the left position, only the original or “dry” signal is sent

to the output while in the right position only the processed or “wet” signal is sent to the output. In

its center position there is equal amounts of “dry” and “wet” signal in the output signal. The Depth

knob is used to adjust the amount of signal re-injected from the output of a line into the other one

while the Rate knob controls the length of the delay lines and therefore the delay between echoes.

4.18.4 The Reverb module

The Reverb module is used to recreate the effect of reﬂections of sound on the walls of a room or

hall. These reﬂections add space to the sound and make it warmer, deeper, as well as more realistic

since we always listen to instruments in a room and thus with a room effect.

The Reverb drop down menu is used to choose between different reverb algorithms representing

different types of rooms or halls. Each algorithm can be adjusted with the knobs located at the

bottom of the module. The Mix knob is used to set the relative amount of “dry” and “wet” signal

which is related to the proximity of the sound source. The Decay is used to control the reverberation

time of the room. In a real room, the reverberation time is not constant across the whole frequency

range because the walls of the hall are generally more absorbent at high frequencies which results

in a shorter reverberation time for these frequencies. This effect is controlled with the Color knob

which sets the reverberation time of high frequencies relatively to the value of the Decay knob.

Note that the settings of the different modules of the output stage are saved with presets. In

order for the effects to remain with the same settings even when loading new presets, click on the

Lock icon at the top of the module.

4.18.5 Topology

The three effects of the output section can be used in four different conﬁgurations as shown in

Figure 26 and where the Chorus, Delay and Reverb modules are labeled A, B, and C respectively.

Figure 26: The four topologies in which the effects can be applied after the Amp module of the

two module rows; A = Chorus module, B = Delay module and C = Reverb module.

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