Bedienungsanleitung AAS Strum Acoustic GS-1 (Seite 37 von 91) (Englisch)

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4.6 Chord Voicing 37

• Movable Chords. These chords do not use open strings. As a result they can be moved

along the fretboard of the guitar allowing one to easily play the same voicing in different

tonalities. This type of chords includes barre chords which are obtained by using one ﬁnger to

press down multiple strings across the fretboard. Movable chords always use the maximum

possible number of strings and are therefore useful to play arpeggios. Furthermore they allow

one to play the same arpeggio patterns in different keys.

• Drop Chords. These are four note chords which allow for fast and subtle movement between

chords. The positions used by Strum are based on drop 2 and drop 3 chords. These chords

are obtained by dropping the second or third voice of a chord down one octave. Chords

played on the keyboard with three notes will always be played on three strings by Strum. If

the chord contains 4 or more notes, the corresponding voicing will always be played on four

strings. This type of chord sounds lighter and is extensively used in jazz.

In addition to these voicing categories, the voicing can be made more precise by specifying

what should be the lowest note of the chord played by Strum:

• Lowest. The lowest note in the guitar voicing chosen by Strum is the lowest note played

on the keyboard. This type of voicing is useful if it is necessary that the bass of the chord

sequence follows a speciﬁc movement.

• Root. The lowest note in the guitar voicing chosen by Strum is the root of the detected chord.

It is very common for guitar chords to have the root in bass position. This choice of chord

type allows one to play chords on the keyboard using any voicing and still obtain a guitar

chord in root position.

Finally, the Playing Position parameter from the Chord section allows one to specify the lowest

fret on which the lowest note of a chord should be played. This control gives Strum an indication

of the position on the neck where chords should be played and chords are voiced accordingly when

possible. This parameter is of course only valid for movable chords and it is therefore inactive

when open chords are chosen.

Although there is no general rule and there are many ways to play in different musical styles or

obtain different effects, we give some guidelines on chord types and performance settings which

should work well in speciﬁc situations:

• Folk. Open-Root and medium strumming speed.

• Country and Bluegrass. Open-Root with a high strumming speed.

• Pop-Rock. Moveable-Root.

• Arpeggios with bass motion. Moveable-Lowest or Open-Lowest.

• Jazz. Drop chords.

• Samba Bossa. Drop chords. Use the arp 6 strumming key to play the bass and arp keys 4, 3

and 2 simultaneously to play the rest of the chord.

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