Bedienungsanleitung AAS Strum Electric GS-1 (Seite 49 von 98) (Englisch)

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6.2 The Guitar Modules 49

The Pick/Fingers, Strings, Hammer-On, Palm-Mute modules are related to the modeling of

the individual strings of the guitar. The Pickups module on the right of the guitar shape represents

the action of pickups and allows one to ajdust their volume and select different combinations of

pickup positions. The different knobs in this view are so-called offset knobs. Each of them is

related to a speciﬁc parameter of the strings or body of the instrument. They are used to vary

the value of a parameter around its current value, in other words the value visible when selecting

individual strings. In the case of the strings parameters, these offset knobs alter the value of the

same parameter for the six strings at once.

Note that after varying parameters with these offset knobs, it is possible to apply the changes

to the parameters. This is done by clicking on the down-pointing arrow located on the right of

the module labels and selecting the Apply Offset command. This will add the offset value to the

current value of the parameter, move back the offset knob to its center position and update the knob

position in the individual string views.

6.2.1 The Strings Module

In an electric guitar, it is the vibration of the strings which is

captured by the pickups and converted into an electric current.

It is also the strings that ﬁxes the pitch of the sound we hear

depending on their effective lengths.

The Tone knob controls the decay time of high frequencies

in the sound relatively to that of low frequencies which is a pa-

rameter related to the material of the string. Turning this knob

clockwise enhances high frequencies resulting in a more metal-

lic sound while turning the knob anti-clockwise has a damping

effect on high frequencies.

Strings are usually considered to be harmonic meaning that all the frequency components of

the sound appear at frequencies that are multiple integers of the fundamental frequency of the note

being played. Real strings, however, are not perfectly harmonic due to the fact that there width is

not exactly constant along their entire length. As the inharmonicity is increased, we will say that

the sound becomes more and more dissonant. In Strum, the amount of inharmonicity in the sound is

controlled using the Inharm knob. Turning this knob clockwise detunes the partials toward higher

frequencies while turning it anti-clockwise reduces the inharmonicity of the strings.

The Coupling knob is used to control the amount of beating in the sound. Turning this knob

to the right increases the amount and frequency of the beating while turning it to the left reduces

it. This beating effect is characteristic of real guitar strings, it is due to the coupling between two

different components in the motion of the string as will be explained in more details in Secion 6.5.1

hence the name of this knob.

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AAS Strum Electric GS-1 Seite 49

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