Bedienungsanleitung AAS Tassman 4 (Seite 61 von 177) (Englisch)

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4.8 Output Effect Stage 61

if the sync signal comes from an external source or from the internal clock of the module. When

the Tassman is used as a plug-in in a host sequencer and the ext source is chosen, the clock signal

will be that sent by the host sequencer while in standalone mode the clock will be the one received

on the MIDI channel selected in the Player toolbar. When the int source is chosen, the clock is

adjusted in the green tempo display in beats per minute. To change the tempo, click-hold on the

display and drag up or down or use the up and down arrows of the computer keyboard after clicking

on the display. The play and stop buttons are used to start or stop Sequencer modules in your patch

that have been connected to a Master Sync Input module while the reset button is used to send a

reset signal.

The Delay module

This module is a standard ping pong delay and is based on two delay lines. The time display sets

the length of the lines. When the sync button is pressed, the sync signal from the Sync module of

the output stage is used to determine the length of the delay line which is adjusted to ﬁt the number

of steps appearing in the display, four steps representing a quarter note. The feedback knob is used

to adjust the amount of signal re-injected from the output of a line into the other one while the cutoff

knob controls the cutoff frequency of the low-pass ﬁlter applied to the signal in each line. The pan

knob is used to adjust the panning of the echoes between the left and right position. Finally the mix

knob controls the relative amount of “dry” and “wet” signal in the output signal. For more details

on the algorithm implemented in this module, please refer to the Sync Ping Pong Delay module

description in Section 6.86.

The Reverb module

This Reverberator module is the same as that included in the module library and described in more

details in Section 6.70. The size button is used to choose the size of the room from small (1) to large

hall (4). The decay knob controls the reverberation time of the room (note that the range of this

knob depends on the setting of the size of the room). The diffusion knob is used to adjust the time

density of the echoes which is related to the geometrical complexity of the room from simple (left)

to very complex (right). The low damp and high damp knobs control the relative decay time of the

room in the low and high frequencies respectively, a characteristic associated with the absorption

of the wall of a room. Turning these knobs to the right decreases the decay time of the low/high

frequencies. Finally the mix knob is used to set the relative amount of “dry” and “wet” signal which

is related to the proximity of the sound source.

The Output module

This is where the adjustments of the overall level is made. The best dynamic range is obtained

when the level meters are around 0 dB for loud sounds.

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Libble nimmt den Missbrauch seiner Dienste sehr ernst. Wir setzen uns dafür ein, derartige Missbrauchsfälle gemäß den Gesetzen Ihres Heimatlandes zu behandeln. Wenn Sie eine Meldung übermitteln, überprüfen wir Ihre Informationen und ergreifen entsprechende Maßnahmen. Wir melden uns nur dann wieder bei Ihnen, wenn wir weitere Einzelheiten wissen müssen oder weitere Informationen für Sie haben.

AAS Tassman 4 Seite 61

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