Bedienungsanleitung Adobe After Effects CC - 2015 (Seite 722 von 761) (Englisch)

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Rendering and Exporting

Last updated 11/30/2015

Jeff Almasol provides a script on his redefinery website that renders and exports each of the selected layers separately.

You might find this script useful if layers represent different versions of an effect or different parts of an effect that you

want to render as separate “passes” for flexibility in how they get composited.

Christopher Green provides a script (Queue_Comp_Sections.jsx) on his website with which you can use multiple guide

layers to designate multiple time spans to be rendered and exported separately through the render queue.

Render and export with Adobe Media Encoder

You can also import After Effects compositions directly into Adobe Media Encoder, which offers the flexibility to

continue working in After Effects while files are processed. You also have options that are not available in the Render

Queue, such as two-pass encoding.

For information about the Adobe Media Encoder application, see Adobe Media Encoder Help .

To add a composition to Adobe Media Encoder, do the following:

1 Drag the After Effects project containing the composition you want to encode into the Encdoding Queue in Adobe

Media Encoder.

2 The Import After Effects Composition dialog box opens. Choose the composition you want to encode.

3 Encode the file as you normally would by choosing presets and an output location in Adobe Media Encoder.

In After Effects CC, you can add a composition to Adobe Media Encoder from After Effects. Do one of the following:

• Choose Composition > Add To Adobe Media Encoder Queue

• Choose File > Export > Add to Adobe Media Encoder Queue

• Press Ctrl+Alt+M (Windows) or Command+Option+M (Mac OS)

Choosing formats and output settings

After Effects provides various formats and compression options for output. Which format and compression options

you choose depends on how your output will be used. For example, if the movie that you render from After Effects is

the final product that will be played directly to an audience, then you need to consider the medium from which you’ll

play the movie and what limitations you have on file size and data rate. By contrast, if the movie that you create from

After Effects is an intermediate product that will be used as input to a video editing system, then you should output

without compression to a format compatible with the video editing system. (See

Planning your work.)

Aharon Rabinowitz provides an article on the Creative COW website about planning your project and deciding what

formats and settings to use for final output.

Keep in mind the fact that you can use different encoding and compression schemes for different phases of your

workflow. For example, you may choose to export a few frames as full-resolution still images (for example, TIFF files)

when you need approval from a customer about the colors in a shot; whereas you may export the movie using a lossy

encoding scheme (for example, H.264) when you need approval for the timing of the animation.

Supported output formats

You can add the ability to export other kinds of data by installing plug-ins or scripts provided by parties other than

Adobe. For example, Paul Tuersley provides a script on the

AE Enhancers forum with which you export After Effects

composition data as Cinema 4D project data. Mark Christiansen provides an article on the ProVideo Coalition website

that links to scripts and plug-ins for exporting from After Effects for use in Cinema 4D, Maya, Lightwave, and other

3D applications. (See

Plug-ins.)

Unless otherwise noted, all image file formats are exported at 8 bits per channel (bpc).

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