Bedienungsanleitung Adobe After Effects CC 2014 (Seite 707 von 737) (Englisch)

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Rendering and Exporting

Last updated 12/12/2014

Include Project Link Specifies whether to include information in the output file that links to the source After Effects

project. When you open the output file in another application, such as Adobe Premiere Pro, you can use the Edit

Original command to edit the source project in After Effects.

Include Source XMP Metadata Specifies whether to include XMP metadata in the output file from the files used as

sources for the rendered composition. XMP metadata can travel all the way through After Effects from source files, to

footage items, to compositions, to rendered and exported files. For all default output module templates, Include Source

XMP Metadata is deselected by default. (See

Exporting XMP metadata from After Effects.)

Post-Render Action Specifies an action for After Effects to perform after the composition is rendered. (See Post-render

actions.)

Format Options Opens a dialog box in which you specify format-specific options.

Channels The output channels contained in the output movie. After Effects creates a movie with an alpha channel if

you choose RGB+Alpha, implying a depth of Millions of Colors+. Not all codecs support alpha channels.

Note: All files created with a color depth of Millions of Colors+, Trillions of Colors+, or Floating Point + have labeled alpha

channels; information describing the alpha channel is stored in the file. Therefore, you do not have to specify an alpha

interpretation each time you import an item created in After Effects.

Depth Specifies the color depth of the output movie. Certain formats may limit depth and color settings.

Color Specifies how colors are created with the alpha channel. Choose from either Premultiplied (Matted) or Straight

(Unmatted). (See

Alpha channel interpretation: premultiplied or straight.)

Starting # Specifies the number for the starting frame of a sequence. For example, if this option is set to 38, After Effects

names the first frame [file_name]_00038. The Use Comp Frame Number option adds the starting frame number in the

work area to the starting frame of the sequence.

Resize Specifies the size of your output movie. Select Lock Aspect Ratio To if you want to retain the existing frame

aspect ratio when resizing the frame. Select Low Resize Quality when rendering tests, and select High Resize Quality

when creating a final movie. (See

Scaling a movie downand Scaling a movie up.)

Crop Used to subtract or add rows or columns of pixels to the edges of the output movie. You can specify the number

of rows or columns of pixels to be added or subtracted from the top, left, bottom, and right sides of the movie. Use

positive values to crop, and use negative values to add rows or columns of pixels. Select Region Of Interest to export

only the region of interest selected in the Composition or Layer panel. (See

Region of interest (ROI).)

By adding one row of pixels to the top and subtracting one row from the bottom of a movie, you can change the field

order.

Audio Output Specifies the sample rate, sample depth (8 Bits or 16 Bits), and playback format (Mono or Stereo).

Choose a sample rate that corresponds to the capability of the output format. Choose an 8-bit sample depth for playback

on the computer, and a 16-bit sample depth for CD and digital audio playback or for hardware that supports 16-bit

playback.

Note: The specifications for some formats impose limits on audio parameters. In such cases, audio options may be

unavailable for modification in the Output Module Settings dialog box. Also, audio options for some formats are set in the

export settings dialog box for that format. For example, to set audio output options for Windows Media, click Format

Options in the Output Module Settings dialog box.

Warning for mismatch in frame rate or dimensions

Some formats (for example, the Blu-ray formats) enforce constraints on frame dimensions and frame rate.

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