PRAELUDIUM III - PRAELUDIUM IV/E - User's Manual
CONTROLS BUTTON FUNCTIONS (Finishing)
AHLBORN Classical Organs
English Page 34
6 NEIDHARDT III This temperament is quite similar to the Equal. It was developed in 1724 by
the musical theoretician Johann Georg Neidhardt.
7 TARTINI-VALLOTTI This Italian temperament, developed in 1754 by Francescantonio Vallotti and
described by Giuseppe Tartini, was later revived in England by Thomas Young.
It can be effectively used for the 18th century Italian repertoire.
8 D'ALEMBERT This temperament, described in 1752 by Jean Le Rond D'Alembert, represents
the "accord ordinaire" in use in France in the 17th and 18th century. It is
therefore suitable for French music of that period.
9 KELLNER This is a modern temperament elaborated in 1976 by the musicologist Herbert
Anton Kellner for the execution of Bach music. It is based on theological concepts
associated to the mystic of numbers.
Memories available for the organist to edit the temperaments.
10
FREE TEMP. 1
11
FREE TEMP. 2
12
FREE TEMP. 3
13
FREE TEMP. 4
