Bedienungsanleitung Akai DPS24 MK II (Seite 15 von 252) (Englisch)

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User Guide

If you are familiar with this setup, then you already understand most of the DPS24 as this is

pretty much what the DPS24 offers!

However, instead of separate analog units, all the above is done digitally within the DPS24

so that you enjoy the benefits of superior sound quality, automated mixing, non-destructive

editing and much more besides in one convenient unit.

The obvious benefit of the DPS24 versus individual components is the simplification of the

cabling between components. No need for expensive "snakes" between the mixer and the

recorder, etc. All the cabling required is the connection from the sources and to the monitors.

Another advantage is that the data and parameters of all included components are stored

together, on the hard drive, in a single file for each song, called a PROJECT.

When loading a Project, the whole system is recalled in a single operation: audio tracks,

edits, routing, mixer (levels, EQ, ...) and automation, effects settings.

In the same way, when Projects are backed-up or restored (which can be done via CD-R, SCSI

or USB), the data for the whole system is included.

This reference manual covers the general operation of the various components included in

the DPS24.

Take a little time to look at the control panel and get familiar with the various keys and

controls of the surface.

As you will see, everything in the DPS24 is laid out very logically:

The Multi-Track recorder/editor is controlled using the 24 RECORD/EDIT SELECT keys for

arming/editing the 24 Tracks and the full TRANSPORT section, including the GOTO and

MEMORY keys for auto-locate functions, as well as the JOG/SHUTTLE wheel for audio

scrubbing. A scrolling graphic view of the 24 tracks is displayed using the GRID key

(SHIFT+MAIN SCREEN).

The Editing functions are accessed via the EDIT/DSP mode key and the Virtual Tracks via

the V.TRACK key (SHIFT+PROJECT).

The Mixer section is controlled using the FADER BANK keys, the Faders, Channel ON keys

(for Mute/Solo) and Channel SELECT keys, the Q-CHANNEL/Q-STRIP encoders and keys,

the MIX SCENE STORE and RECALL keys, and of course, the MIXER key.

The Automation is accessed via .... the AUTOMATE key.

The Patch Bay is controlled using the ASSIGN L/R and GROUP keys, and of course, the

PATCH key (SHIFT+MIXER)

The Effects are accessed via.... the FX key.

Projects are managed in the PROJECT mode.

Global Project settings are accessed via the SETUP key.

Finally, Audio CD writing functions are accessed via the CD-R key (SHIFT+SETUP).

The detailed operation of all those controls is described is this manual.

NOTE:

Recording via Groups is only the default configuration of the DPS24. However, if you are not

familiar with 8-buss recording operation, the routing of the DPS24 can be changed to bypass the groups, by

patching inputs directly to tracks. Please refer to the PATCH mode for more details.

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Akai DPS24 MK II Seite 15

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