Bedienungsanleitung Alesis MultiMix 12R (Seite 22 von 62) (Englisch)

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Multimix 12R Reference Manual 11

Balanced +4 dBu line level sources: Professional recording and

processing equipment typically provides a balanced, 3-conductor

signal output that is a higher voltage (1.24 volts nominal level) than

most synthesizers and stereo equipment. The Multimix 12R’s [LINE

IN] jacks are designed to handle these balanced inputs.

Balanced sources often feature XLR outputs. However, they should

NOT be connected to the XLR [MIC] inputs of the Multimix 12R unless

absolutely necessary, because the higher gain of the MIC jacks gives

you less headroom than the LINE IN jacks do (also, the source could

be damaged by phantom power if it's turned on). Connect them to

the [LINE IN] jacks using an XLR-to-1/4 inch phone TRS (tip-ring-

sleeve) cable, as shown below:

If the proper connector cable or adapter is not available, +4 dBu line

level sources may be connected to the [MIC] jacks ONLY IF

PHANTOM POWER WILL NOT BE USED!!

Connecting a line-level output to a phantom-powered XLR input on the

Alesis Multimix 12R may cause damage to the external unit. Alesis cannot

be responsible for any damages caused by this kind of misuse.

The nominal trim setting for a +4 dBu signal plugged into a line input is

approximately 11 o'clock (12 o'clock on the stereo channels). This will

give you plenty of headroom to start with.

Maximum levels: The maximum level the [MIC] jack can receive with

the [TRIM] control full counter-clockwise is +12 dBu before clipping, so

there’s only 8 dB of headroom if you plug a +4 dBu line source into the

mic jack. The [LINE IN] jack on channels 1-8 may receive levels up to

+32 dBu without clipping, a headroom advantage of 20 dB. The stereo

channels may receive a +22 dBu (balanced or unbalanced) maximum

input.

Connections

TAPE IN jacks

The [TAPE IN] jacks on the rear panel are designed for playback of a

stereo tape deck (or any other -10 dBV level signal) through the

[MONITOR OUT] and [PHONES] jacks only. A signal at the [TAPE IN]

jacks cannot be heard from the [MAIN OUT] jacks.

This allows you to use the Multimix 12R to monitor a mixdown to a 2-

track deck through your headphones. (If you plugged your mixdown

deck into the line inputs on the channels, it would cause feedback

when you press “record”.) By placing the [PHONES/MONITOR]

switch in the TAPE position, you will hear the mixer's output after it

has been passed through the mixdown deck, so you can make sure

that it is recording correctly.

• Another use for the [TAPE IN] jacks is to play a CD or tape into a PA

system, automatically turning off all the microphones into the main PA

system when the front panel MSTR/TAPE switch is set to the TAPE

position. Note that in this application, the PA system must be fed from the

MONITOR OUT instead of the MAIN OUT jacks, and will be affected by

the level of the [PHONES/MONITOR] control as well as by the

[MASTER] control fader.

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Alesis MultiMix 12R Seite 22

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