Bedienungsanleitung Allen-Heath GL2800 (Seite 29 von 42) (Englisch)

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GL2800 User Guide 29

Dual Functionality Now an industry standard, Allen & Heath pioneered this

feature with the introduction of the first GL consoles in the ‘90s. In the past it was

necessary to stock two different types of live sound console, one for mixing FOH

(front-of-house), the other designed for mixing on-stage monitors. With the

introduction of a few clever ‘mode’ switches we changed all that. Now, the same

console can be quickly configured to carry out either task properly and without

compromise.

The GL2800 takes dual functionality a thoughtful stage further with the advent

of new engineering practices such as multi-media and IEM (in-ear monitor)

mixing, and computer based live multi-track recording. The key principles of

dual functionality are:

• The same console can be quickly configured by the operator for proper FOH

or stage monitor mixing, or as a combination of both for mixing monitors

from FOH. In either mode, no part of the console is redundant. Every

control and socket can be used for an associated function.

• To prevent accidental operation during the show, the configuration mode

switches are safely recessed under the panel.

• In FOH mode

the groups and LR are the main outputs while in Monitor

mode the aux mixes become the main outputs.

• The REV switch swaps the group or L, R master controls with the related aux

master so that you have full fader control of the appropriate main output

complete with mute, AFL and LED bar meter.

• In Monitor mode

the aux outputs are routed to the console main XLR

sockets for electronically balanced drive, with inserts for patching in

processors such as graphic EQ, limiters and delays.

• Channel pre/post switches and link options are important. In Monitor mode

it must be possible to switch all auxes post for channel fader mastering. For

Monitors from FOH

, the pre-insert, pre-EQ or post-EQ option is needed.

Note that per channel pre switching is best as you may occasionally need to

mix in some post sources such as radio mics and sound effects.

• In Monitor mode

the groups continue to feed the sub grouping to LR so that

you can still work with grouped level control to the main mix.

• In Monitor mode

the groups and LR continue to feed the matrix so that you

can create independent mixes in addition to the auxes for special feeds,

recording, and further mono or stereo in-ear monitors.

• In Monitor mode

the M output becomes the engineer’s ‘listen wedge’ feed

providing the PFL/AFL mix. It gives the engineer identical fader control and

XLR drive for all wedges including their own.

• In both modes assignable talkback is provided.

• The matrix has a useful application in both modes. External ambience

sources can be mixed in to the matrix to create live recording and in-ear

monitor mixes. A mono aux can be converted to stereo IEM.

FOH

LR + M mixes

Subs on M mix

LR to M for mono

8 Sub Groups

10 Auxes

4 Matrix

Monitor

14 Monitors

8 Aux (wedge)

2 Aux (stereo IEM)

4 Matrix (2 stereo IEM)

Engineer’s Wedge

Ambience, Talkback

Recording

Stereo / Mono

2-Track

8 Groups

4 Matrix

Direct Outputs

Ambience

FOH / Monitor

Protected

Aux Reverse

Master Control

XLR + Inserts

Pre/Post

Sub Grouping

Matrix Feed

Listen Wedge

Talkback

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Allen-Heath GL2800 Seite 29

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