Bedienungsanleitung Allen-Heath ML 3000 (Seite 23 von 48) (Englisch)

541363

Zoom out

Zoom in

Vorherige Seite

1/48

Nächste Seite

ML3000 User Guide 23

Internal Link Options

Several link options are available to satisfy user

preferences. These require removal of the console

base panels and replugging of 2way jumpers on the

circuit boards. It is not necessary to remove

assemblies from the console. To avoid damage to

the internal assemblies this work should be carried

out by competent technical personnel.

Pre-fade Source. The source for the pre-fade aux

sends may be changed by repositioning jumper

links on each mono and stereo channel. The

default factory setting is pre-insert, pre-EQ, post-

mute. This is usually preferred when mixing

monitors from front-of-house. Select the source as

pre-insert, pre-EQ, or post-EQ by setting one

jumper. Select pre or post mute by setting another.

Set pairs of links on the stereo channels to affect

left and right signals.

Direct Output Source. The default factory setting

is post-fade. This can be changed to pre-fade.

Pre-fade follows the source as described above.

An additional option sources the output from the

AUX1 send control. This provides a post-fade

direct output with level trim. If preferred, the

channel feed to the AUX1 buss can be disabled so

that adjusting the direct output level does not feed

the aux mix as well. Select the source as pre-fade,

post-fade, or post-fade with AUX1 trim by setting its

jumper. Set another jumper to turn the AUX1 feed

to the rotary master on or off as required.

Using the GRP/AUX Sends

Configure the Aux 1-4 underpanel mode switches

above the master controls according to the number

of fader controlled audio groups you need. This is

typically fewer on a VCA equipped console where it

is determined by the number of group processors

you want to insert or the number of groups needed

to feed the matrix, rather than the group level

control required. The remaining output faders can

be configured as masters for the related aux sends.

The associated groups swap with these auxes and

are available on their rotary masters.

Audio Groups. These let you route channels to

independent outputs, mix into the matrix, or insert a

common signal processor to affect more than one

signal, for example a compressor on a vocal group.

Four groups are available. Route the channel

signal by pressing one or both group switches. For

mono groups set the PAN control to odd or even

according to the group you wish to feed. For stereo

position the PAN control according to the stereo

image required.

Effects Sends. Use post-fade aux sends to feed

effects processors such as reverb. This ensures

that the balance between the dry and effect signals

is always maintained regardless of channel fader

position. The output of the processor should be

returned to the mix through another channel,

typically a stereo input.

Monitor Sends. Use aux sends to provide

independent monitor mixes to the performers, MD,

backstage crew and so on. These may feed stage

wedges, side fills, hotspot speakers, headphones

and in-ear monitors, and may be mono or stereo.

Aux 5-8 have full featured fader masters. For

similar aux 1-4 control with faders, meters and

inserts configure the master section underpanel

mode switches as required.

Select pre-fade when mixing monitors from front-of-

house so that the main mix does not affect the

monitors. However, you may prefer to set some

channels post-fade, for example to avoid backstage

pickup when working with radio microphones.

Select post-fade when using the console for

dedicated monitor mixing so that the channel fader

becomes the master for that signal to all mixes.

A stereo monitor may be configured by selecting the

channel STEREO switches. This provides separate

level and pan controls and is ideal for in-ear

monitoring.

Special Sends. The aux sends can be used for

any application where an independent mix is

required. Select pre or post-fade and mono or

stereo as required.

PRE-FADE MUTE

PRE-FADE SOURCE

DIR OUT SOURCE

AUX1 TO

FADER

CONNECTORS

MONO CHANNEL

POST-EQ

PRE-EQ R

POST-EQ

PRE-EQ L

POST-MUTE

PRE-MUTE

PRE-FADE MUTE

PRE-FADE SOURCE

FADER

CONNECTORS

STEREO CHANNEL

ROTARY MASTER

RIGHT

LEFT

AUX1>ON

AUX1>OFF

AUX1>DIR

POST-FADE

PRE-FADE

POST-EQ

PRE-EQ

PRE-INSERT

POST-MUTE

PRE-MUTE

Missbrauch melden von Frage und/oder Antwort

Libble nimmt den Missbrauch seiner Dienste sehr ernst. Wir setzen uns dafür ein, derartige Missbrauchsfälle gemäß den Gesetzen Ihres Heimatlandes zu behandeln. Wenn Sie eine Meldung übermitteln, überprüfen wir Ihre Informationen und ergreifen entsprechende Maßnahmen. Wir melden uns nur dann wieder bei Ihnen, wenn wir weitere Einzelheiten wissen müssen oder weitere Informationen für Sie haben.

Allen-Heath ML 3000 Seite 23

Brauchen Sie Hilfe? Stellen Sie Ihre Frage.

Missbrauch melden von Frage und/oder Antwort

Art des Missbrauchs:

Forenregeln

Neu registrieren

Das Handbuch wird per E-Mail gesendet. Überprüfen Sie ihre E-Mail.

Ihre Frage wurde zu diesem Forum hinzugefügt

Info