Bedienungsanleitung Audio-Technica M3 - Wireless In-Ear Monitor System (Seite 13 von 118) (Deutsch, Englisch, Holländisch, Französisch, Italienisch, Portugiesisch, Spanisch)

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System Applications

The nature of in-ear monitoring allows for endless experimentation; the

M3 Wireless In-Ear Monitor System can be easily configured to meet

your individual needs. While there are countless ways to use the system,

we have illustrated some typical setups below.

Note: In conjunction with these setups, follow instructions for system

operation. (See page 10.)

3 Receiver Modes: Personal Mix Control, Stereo, Mono

The M3 Wireless In-Ear Monitor System offers three receiver modes:

Stereo setup: The signals from L/1 and R/2 are separate (not

mixed). The user hears L/1 through the left earphone, and R/2

through the right earphone. The user adjusts the relative level of

each signal via the M3R Receiver’s balance control.

Personal Mix Control: The signals from L/1 and R/2 are mixed.

The user hears the combined signal in both ears—and controls the

mix (by adjusting the relative strength of the L/1 and R/2 signals)

via the M3R Receiver’s balance control.

This is most often used when the transmitter receives two very

distinct mixes—such as band and vocal. During the performance,

the user can control how much vocal is heard relative to the band mix.

Mono setup: The mono setup is used when only a single mono

mix is available. The user hears that mix through both ears.

Stereo setup. See image A on page 14.

Basic stereo setup

1. On M3R Stereo Receiver:

Set STEREO Output;

Set STEREO Mode. (See page 9)

2. Create separate left and right band mixes using two aux channels

from your mixing console.

3. Connect one of these aux outputs from your mixing console to the

L/1 input on your M3T Stereo Transmitter; connect the second aux

output from your mixer to the R/2 input on your M3T Stereo

Transmitter.

4. Monitor the AF level indicators on front of transmitter to make

certain signal is not clipping. (Signal is clipped when the peak light is

on constantly.)

5. If necessary, use the trim control to adjust input level.

6. Use the balance control on your M3R Stereo Receiver to control

the left/right stereo image. (Turn the balance control to the left to hear

more of L/1; turn the balance control to the right to hear more of R/2.)

7. Adjust volume control to a comfortable, safe level. Note: Use

volume levels as low as possible.

8. (Optional). Use M3T Stereo Transmitter’s loop output to connect

L/1 and R/2 to a recording device.

9. (Optional). Insert Audio-Technica lavalier microphone (available

separately) into M3R Stereo Receiver to increase awareness of

ambient sound.

10. Any number of additional M3R Stereo Receivers can be set to the

same frequency and receive the same mix.

Personal Mix Control. See image B on page 14.

Typical two-channel operation using Personal Mix Control

1. On M3R Stereo Receiver:

Set MIX Ouput;

Set STEREO Mode.

2. Create a band mix with an aux channel of your mixing console.

3. On a separate aux channel of your mixing console, create a second

mix featuring vocals. (Alternatively, this second mix could feature

guitars, drums, keyboards, etc.)

4. Connect the band mix aux output to the R/2 input on your M3T

Stereo Transmitter.

5. Connect the vocal mix aux output to the L/1 input on your M3T

Stereo Transmitter.

6. Monitor the AF level indicators on front of transmitter to make

certain the signal is not clipping. (Signal is clipped when the peak

light is on constantly or distortion is heard.)

7. If necessary, use the trim control to adjust input level.

8. Turn the M3R Stereo Receiver’s balance control toward the left to

hear more vocal (L/1) in both ears; turn the receiver’s balance

control to the right to hear more band (R/2) in both ears.

9. (Optional). Insert Audio-Technica lavalier microphone (available

separately) into M3R Stereo Receiver to increase awareness of

ambient sound.

10. (Optional). Connect a midi click source (for drummers) to your belt

pack’s Aux Input.

11. Any number of additional M3R Stereo Receivers can be set to the

same frequency and receive the same mix.

Advanced two-channel setup (Personal Mix Control) Using direct

outputs and multiple M3 systems. See image C on page 15.

On M3R Stereo Receiver:

Set MIX Output;

Set STEREO Mode.

This setup enables each individual band member to control his/her

relative mix levels using the balance control on his/her M3R Stereo

Receiver. Turn the M3R Stereo Receiver’s balance control toward the

left to hear more vocal or instrument of choice level (L/1) in both ears;

turn the receiver’s balance control to the right to hear more band, (R/2)

in both ears.

Advanced two-channel stereo setup. See image D on page 15.

Multiple auxiliary sends and ambient audience microphones.

Note: Do not feed ambient microphones to main output of PA.

This setup enables you to create custom stereo mixes for each band

member using individual auxiliary outputs and IEM systems for each

band member.

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