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1 • PROJECT PURPOSE
Audison has always pursued the best audio reproduction in all of its products.
The creation of the HR100 in 1991 occurred simultaneously with the achievement of a technological goal. On one hand it
appeared to use all the knowledge attained to this date, yet on the other hand it set a landmark for years to come.
Universally recognized as “The Amplifi er”, the HR100, unlike other car stereo products, set a new standard for “longevity;
being produced until year 2003. It identifi ed the Audison brand throughout the world. The worldwide press awarded it
many accolades countless number of times, and today it stays a reference product for its performance. To car audio fans
worldwide it stands as a legend.
Throughout the HR100 project, Audisons’ mission was to obtain the highest sound quality without compromises. Its
maximum power output was its only limitation, as technology of the time did not allow this reference sound quality with
massive power.
Four years later the THESIS brand was created. Using the latest in technology, Audison once again rewrote the book on
amplifi er performance. In 1995 and in 1996 respectively, HVsedici and HVtrenta amplifi ers came to light.
After the introduction of these amplifi ers, new standards were set as far as the sound quality / power quotient were
concerned. They were also the fi rst to use balanced inputs in a rational way through the worldwide-patented ABS (Audison
Balanced Systems) connectors. HVsedici and HVtrenta became another legend
THESIS line amplifi ers became the most requested products by car audio enthusiasts looking for dynamics and necessary
to anyone in the competition circles requiring maximum SPL without sacrifi cing sound quality
Each of the two projects, THESIS and HR100, keeps its own identity and sonic footprint, which is diffi cult to surpass.
Therefore a new version of these classics may have changed their look, maybe also some of their features, but not their
sound specifi cations.
However there was still a way for Audison to try to improve, by merging these two unique characters into one amplifi er.
This has been the idea of Audison engineers for a very long time.
After several years, obtaining a deeper technological knowledge, this became possible. The project of a new THESIS
amplifi er was launched. After two years of research, by exploiting the technical know-how that has been gathered in the
course of time and by employing the best, most recently introduced electronic components available, today THESIS
HVventi is born.
With HVventi, Audison aims at renewing the HR100 and THESIS legend status. Internally the most current available
technology was employed; therefore it is not dangerous to predict that HVventi is going to remain an absolute reference
product for many years to come.
It could only be overcome when a further technological leap occurs, mostly concerning components. When that technology
is available, Audison will continue to be the legend.
2 • PROJECT PHILOSOPHY
From the start, the vision of the HV venti project was characterised by absolutely no compromises in achieving maximum
performance. Each stage of the amplifi er was designed employing the most suitable components even if they were hard
to fi nd.
The fi rst unique aspect of the project is the total void of integrated operational circuitry. Due to their constructive technology
and the low voltage level that the circuitry can handle, they can deteriorate the signal.
Their elimination permitted the engineers to work at higher voltages and with a Class A biasing of the intermediate stages;
the choice of working in Class A caused the associated heat on the circuits, which might have led to the components
destruction.
Achieving proper operating temperature was a key design component. Cooling all the internal heat sources through
a complex thermal transfer system that directs heat into the main heat sinks assertively attacked the thermal issue.
Employing fi ve controlled fans solved the problem of temperature variation, which affects circuit stability, sonic consistency
and also lowers reliability.
Signal commutations were treated using special relays: too complex of a circuit would have led to longer tracks and
parasitic inductances, causing signal deterioration and loss of musical information.
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