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8 XENYX 1202FX/1002FX User Manual

POWER

The blue POWER LED indicates that the console is powered on.

LEVEL INDICATOR

The 4-segment display accurately displays the relevant signal level.

LEVEL SETTING:

To correctly set the gains of the channels, rst set the LEVEL controls of the input

channels to their center positions. Then use the GAIN controls to increase the

input amplication until signal peaks show 0 dB on the level meter.

When recording to digital recorders, the recorder’s peak meter should not go into

overload. While analog recorders can be overloaded to some extent, creating only

a certain amount of distortion, digital recorders distort quickly when overloaded.

In addition, digital distortion is not only undesirable, but also renders your

recording completely useless.

When recording to an analog device, the VU meters of the recording machine

should reach approx. +3 dB with low-frequency signals (e.g. kick drum). Due to

their inertia VU meters tend to display too low a signal level at frequencies above

1 kHz. This is why, for example, a Hi-Hat should only be driven as far as -10dB.

Snaredrums should be driven to approx. 0 dB.

◊ The CLIP-LED’s of your XENYX display the level virtually independent

of frequency. A recording level of 0 dB is recommended for all

signal types.

MAIN MIX

Use the MAINMIX fader to adjust the volume of the main out.

PHONES/CONTROL ROOM

Use the PHONES/CONTROL ROOM control to adjust the signal level of the

CONTROLROOM and PHONES outputs.

CD/TAPE TO MIX

When the CD/TAPE TO MIX switch is pressed, the CD/tape input is assigned to

the main mix providing an additional input for tape machines, MIDI instruments

or other signal sources that do not require any processing.

CD/TAPE TO CTRL

Press the CD/TAPE TO CTRL switch if you want to monitor the CD/tape input via

the CTRL ROOM and PHONES outputs. A typical studio application of this function

is recording music into a digital audio workstation (DAW) with simultaneous

reproduction (see ch. 3.1).

◊ If you are recording a signal via the TAPE OUTPUT and wish to

listen to this simultaneously via the CD/TAPE INPUT, do not use the

CD/TAPE TO MIX switch. Doing this would create a feedback loop,

since the signal would be routed, via the main mix, back to tape via the

TAPE OUTPUT. To monitor the CD/TAPE INPUT, use the CD/TAPE TO CTRL

switch to assign the tape signal to the monitor(s) or headphones.

This will avoid the tape signal being routed to the TAPE OUTPUT.

FX TO CONTROL

If you want to monitor only the eects signal in your headphones or monitor

speaker(s), press the FX TO CTRL switch. Now the signal of the eects processor

can be monitored alone, and the main mix and/or CD/tape signal is no longer

present on the phone and control room outputs.

2.5 Digital eects processor

Fig. 2.5: Eects section

100 FIRST-CLASS EFFECTS

The XENYX 1202FX/1002FX features a built-in digital stereo eects processor.

Thiseects processor oers a large number of standard eects such as Hall,

Chorus, Flanger, Delay and various combination eects. Using the FX control,

youcan feed signals into the eects processor. Theintegrated eects module has

the advantage of requiring no wiring. This way, the danger of creating ground

loops or uneven signal levels is eliminated at the outset, completely simplifying

the handling.

SIGNAL and CLIP LED

The SIGNAL LED on the eects module shows the presence of a signal whose

level is high enough. This LED should always be on. However, make sure that the

clip LED lights up only sporadically. If it is lit constantly, you are overdriving the

eects processor, which leads to unpleasant distortion. If this occurs, turn the

FXcontrols down somewhat.

PROGRAM

The PROGRAM control has two functions: by turning the PROGRAM control,

you dial the number of an eect. The number of the preset you just dialed up

blinks in the display. To conrm your selection, press the PROGRAM control;

theblinkingstops.

FX TO MAIN

The FX TO MAIN control feeds the eects signal into the main mix. If the control

is turned all the way counterclockwise, no eects signal is present in the sum

signal of the mixing console.

The appendix contains an overview of all presets of the multi eects processor.

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