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XENYX 1622FX/1832FX/2222FX/2442FX User Manual

ENGLISH

XENYX 1622FX/1832FX/2222FX/2442FX User Manual

Fig. 2.2: Equalizer of the input channels

The upper (HIGH) and the lower (LOW) bands are shelving

lters that increase or decrease all frequencies above or

below their cut-o frequency. The cut-o frequencies

of the upper and lower bands are 12 kHz and 80 Hz

respectively. For the mid range, the console features a

semi-parametric equalizer with a lter quality (Q) of 1

octave, tunable from 100 Hz to 8 kHz. Use the MID control

to set the amount of boost or cut, and the FREQ control to

determine the central frequency.

Monitor and eects busses (Aux sends)2.1.3

Fig. 2.3: Aux Send control MON and FX in the channel strips

Monitor and eects busses (AUX sends) source their signals via

a control from one or more channels and sum these signals to

a so-called bus. This bus signal is sent to an aux send connector

(for monitoring applications: MON OUT) and then routed,

for example, to an active monitor speaker or external eects

device. In the latter case, the eects return can then be brought

back into the console via the aux return connectors.

All monitor and eects busses are mono, are tapped into

post EQ and oer amplication of up to +15 dB.

Pre-fader/post-fader

When using eects on a channel signal, it is usual to have

the aux send post fader so that the balance between eect

and dry signal stays constant even when the channel fader

is altered. If this were not the case, the eects signal of the

channel would remain audible even when the channel fader

is turned all the way down. For monitoring, the aux sends are

generally pre-fader, i.e. they operate independently of the

position of the channel fader.

PRE

When the PRE switch is pressed down, the associated aux

send is taken pre-fader.

The aux send marked FX oers a direct route to the built-in

eects processor and is therefore post-fader and post-mute.

Please refer to chapter 4 “DIGITAL EFFECTS PROCESSOR” for

detailed information.

If you are using the built-in eects processor, make ◊

sure that STEREO AUX RETURN 3 has nothing plugged

into it (2442FX and 2222FX), otherwise the internal

eects return will be muted. This is not relevant if you

use the FX OUT jack to drive an external eects device.

1622FX and 1832FX: On these consoles, the above ◊

note refers to the STEREO AUX RETURN 2 jacks as these

models do not have a dedicated eect output.

Routing switch, PAN, SOLO and 2.1.4

channel fader

Fig. 2.4: The panorama and routing controls and the channel fader

PAN

The PAN control determines the position of the channel

signal within the stereo image. When working with

subgroups, you can use the PAN control to assign the signal

to just one output, which gives you additional exibility

in recording situations. For example, when routing to

subgroups 3 and 4, panning hard left will route the signal

to group output 3 only, and panning hard right will route to

group output 4 only.

All Models

XENYX1622FX XENYX2442FX

XENYX2442FX

MUTE

The MUTE switch breaks the signal path pre-channel fader,

hence muting that channel in the main mix. The aux sends

which are set to post-fader are likewise muted for that

channel, while the pre-fader monitor paths remain active

irrespective of whether the channel is muted or not.

MUTE LED

The MUTE LED indicates a muted channel.

CLIP-LED

The CLIP-LED lights up when the input signal is driven

too high. If this happens, back o the GAIN control and, if

necessary, check the setting of the channel EQ.

SOLO

The SOLO switch is used to route the channel signal to the

solo bus (Solo In Place) or to the PFL bus (Pre Fader Listen).

This enables you to listen to a channel signal without

aecting the main output signal. The signal you hear is

taken either before the pan control (PFL, mono) or after the

pan and channel fader (Solo, stereo) (cf. chap. 2.3.10 “Level

meters and monitoring”).

SUB (1-2 and 3-4)

The SUB switch routes the signal to the corresponding

subgroups. The 2442FX has 4 subgroups (1-2 and 3-4).

MAIN

The MAIN switch routes the signal to the main mix bus.

The channel fader determines the channel’s volume in the

main mix (or submix).

Stereo channels2.2

Channel inputs2.2.1

Fig. 2.5: The various stereo channel inputs

Each stereo channel has two balanced line level inputs on

jacks for left and right channels. Channels 9/10 and 11/12 on

the 2442FX feature an additional XLR microphone jack with

phantom power. If only the left jack (marked “L”) is used, the

channel operates in mono. The stereo channels are designed

to handle typical line level signals, and, depending on

model, have a level switch (+4 dBu or -10 dBV) and/or a line

GAIN control. Both jack inputs will also accept unbalanced

connectors.

LOW CUT and MIC GAIN

These two control elements operate on the XLR connectors

of the 2442FX, and are used to lter out frequencies below

75 Hz (LOW CUT) and to adjust microphone levels (MIC

GAIN).

LINE GAIN

Use this control to adjust the line signal levels on channels

13-16 (2442FX only).

LEVEL

For level matching, the stereo inputs on the 1622FX, 1832FX

and 2222FX have a LEVEL switch to select between +4 dBu

and -10 dBV. At -10 dBV (homerecording level), the input is

more sensitive than at +4 dBu (studio level).

Equalizer stereo channels2.2.2

The stereo channels contain a stereo EQ section. The cut-o

frequencies of the high and low bands are 12 kHz and 80 Hz

respectively, while the center frequencies of the high-mid

and low-mid bands are 3 kHz and 500 Hz respectively. The

HIGH and LOW controls have the same characteristics as the

EQ in the mono channels. Both mid range bands are of the

peak lter type. A stereo EQ is superior to two mono EQs on

a stereo signal as two separate EQs will usually result in a

discrepancy between left and right channels.

Aux sends stereo channels2.2.3

In principle, the aux sends of the stereo channels function

the same way as those of the mono channels. As the aux

sends are mono, the send from a stereo channel is rst

summed to mono before it reaches the aux bus.

Routing switch, solo and channel fader2.2.4

Fig. 2.6: Balance control and mute switch

XENYX2222FX XENYX2442FXXENYX2442FX

Behringer Xenyx 1622FX Seite 4

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