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6 XENYX 1202/1002/802/502 User Manual

2.1.3 FX sends, panorama and level adjustment

Fig. 2.3: The FX send/panorama/level controls

FX (1202/1002/802 only)

FX sends (or AUX sends) enable you to feed signals via a variable control from

one or more channels and sum these signals to a bus. The bus appears at the

console’s FX send output and can be fed from there to an external eects device.

The return from the eects unit is then brought back into the console on the

aux return connectors (802) or normal channel inputs. Each FX send is mono and

features up to +15 dB gain.

As the name suggests, the FX sends of the XENYX mixing consoles are intended to

drive eects devices (reverb, delay, etc) and are therefore congured post-fader.

This means that the mix between dry signal and eect remains at the level

determined by the channel’s aux send, irrespective of the channel fader setting.

If this were not the case, theeects signal of the channel would remain audible

even when the fader is lowered to zero.

PAN

The PAN control determines the position of the channel signal within the stereo

image. This control features a constant-power characteristic, which means the

signal is always maintained at a constant level, irrespective of position in the

stereo panorama.

LEVEL

The LEVEL control determines the level of the channel signal in the main mix.

CLIP

The CLIP LED’s of the mono channels illuminate when the input signal is driven

too high, which could cause distortion. If this happens, use the GAIN control to

reduce the preamp level until the LED does not light anymore.

2.2 Stereo channels

2.2.1 Stereo line inputs

Fig. 2.4: Stereo line inputs

LINE IN

Each stereo channel has two balanced line level inputs on ¼" jacks for left and

right channels. If only the jack marked “L” (left) is used, the channel operates in

mono. The stereo channels are designed to handle typical line level signals.

Both inputs will also accept unbalanced jacks.

2.2.2 Equalizer stereo channels (802)

The XENYX 802 features a stereo 3-band EQ in each stereo channel. Thelter

characteristics and cut-o frequencies are the same as those in the

monochannels.

A stereo EQ is highly preferable to two mono equalizers. When working on a

stereo signal, astwoseparate EQ’s will usually produce an unwanted discrepancy

between the left and rightchannels.

Fig. 2.5: The equalizer of the stereo input channels

2.2.3 FX sends, balance and level adjustment

Fig. 2.6: The FX send/balance/level controls

The FX sends of the stereo channels function similar to those of the mono

channels. However, since the FXsend buses are both mono, a mono sum is

rst taken from the stereo input before it is sent to the FXbus. The 502 is not

equipped with FXsends.

BAL

The BAL(ANCE) control determines the levels of left and right input signals

relative to each other before both signals are then routed to the main stereo mix

bus. If a channel is operated in mono via the left line input, thiscontrol has the

same function as the PANcontrol used in the mono channels.

LEVEL

The LEVEL control determines the volume of the channel being sent to the

mainmix.

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