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14 15XENYX Q1202USB/Q1002USB/Q802USB/Q502USB Quick Start Guide

XENYX Q1202USB/Q1002USB/Q802USB/Q502USB

Contro

(EN) Step 2: Controls

This chapter describes the various control elements

of your mixing console. All controls, switches and

connectors will be discussed in detail.

(1) MIC – Each mono input channel oers a

balanced microphone input via the XLR

connector and also features switchable

+48/+15 V phantom power supply for

condenser microphones. TheXENYX preamps

provide undistorted and noise-free gain

as is typically known only from costly

outboardpreamps.

(2) LINE IN – Each mono input also features

a balanced line input on a ¼" connector.

Unbalanceddevices (mono jacks) can also be

connected to these inputs. Please remember

that you can only use either the microphone

or the line input of a channel at any one time.

You can never use both simultaneously!

(3) GAIN – Use the GAIN control to adjust the

input gain. This control should always be

turned fully counterclockwise whenever you

connect or disconnect a signal source to one

of the inputs.

(4) EQUALIZER – All mono input channels

include a 3-band equalizer, except for the

Q502USB, whichis equipped with a 2-band

EQ. All bands provide boost or cut of up to

15dB. In the central position, theequalizer

isinactive.

(5) LOW CUT – In addition, the mono channels

(Q1002USBand Q1202USB) are equipped

with a steep LOWCUT lter (slope at 18 dB/

oct., -3dB at 75 Hz) designed to eliminate

unwanted low-frequency signalcomponents.

(6) FX (Q802USB/Q1002USB/Q1202USBonly)–

FX sends (or AUX sends) enable you to feed

signals via a variable control from one or

more channels and sum these signals to

a bus. Thebus appears at the console’s FX

send output and can be fed from there to

an external eects device. The return from

the eects unit is then brought back into

the console on the aux return connectors

(Q802USB) or normal channel inputs. Each FX

send is mono and features up to +15 dB gain.

(7) PAN – The PAN control determines the

position of the channel signal within

the stereo image. Thiscontrol features a

constant-power characteristic, whichmeans

the signal is always maintained at a

constant level, irrespective of position in the

stereopanorama.

(8) LEVEL – The LEVEL control determines the

level of the channel signal in the main mix.

(9) CLIP – The CLIP LED’s of the mono channels

illuminate when the input signal is driven

too high, which could cause distortion. Ifthis

happens, use the GAIN control to reduce

the preamp level until the LED does not

lightanymore.

(10) LINE IN – Each stereo channel has two

balanced line level inputs on ¼" jacks for left

and right channels. If only the jack marked “L”

(left) is used, the channel operates in mono.

The stereo channels are designed to handle

typical line level signals. Bothinputs will also

accept unbalanced jacks.

(11) FX – The FX sends of the stereo channels

function similar to those of the mono

channels. However, since the FX send buses

are both mono, amono sum is rst taken from

the stereo input before it is sent to the FX bus.

The Q502USB is not equipped with FXsends.

(12) BAL – The BAL(ANCE) control determines the

levels of left and right input signals relative

to each other before both signals are then

routed to the main stereo mix bus. If a channel

is operated in mono via the left line input,

this control has the same function as the PAN

control used in the mono channels.

(13) +4/-10 – The stereo inputs of the

XENYX Q1002USB and Q1202USB have

an input sensitivity switch which selects

between +4dBu and -10 dBV. At -10 dBV

(home-recording level), the input is more

sensitive (requires less level to drive it) than at

+4 dBu (studiolevel).

(14) STEREO AUX RETURN – Q802USB only:

theSTEREO AUX RETURN connectors are used

to bring the output of the external eects

device (whose input is derived from the

aux sends) back into the console. You can

instead use these connectors as additional

inputs, but any eects device will then have

to be brought back into the console via a

normal stereo channel. This does, however,

give you the ability to use the channel EQ on

the eects return signal if you wish. If only

the left connector is used, the AUX RETURN

automatically operates in mono. Use the

AUXRETURN control to determine how much

of the eects signal is sent to the main mix.

(15) FX SEND – The FX SEND output (does not

apply for Q502USB) should be connected

to the input of an external eects unit.

The post-fader FX signal you created using

the input channel FX controls is sent to the

eects unit via the FX SEND ouput. Usethe

FXSEND control of the main section to

adjust the overall send level (Q1002USB and

Q1202USBonly).

(16) PHONES/CTRL ROOM – The stereo

PHONES jack (at the top of the connector

panel) iswhere you connect headphones.

Theunbalanced CTRLROOM OUT jacks

carry the summed eects and main mix

signals, aswell as soloed channel signals.

ThePHONES/CTRL ROOM control adjusts the

level of both headphones and main monitor

outputs. TheQ502USB is not equipped with

control roomoutputs.

(17) MAIN MIX – The MAIN OUT connectors are

unbalanced mono jacks. The main mix signal

appears here at a level of 0 dBu. TheMAINMIX

fader adjusts the volume of these outputs.

TheXENYX Q802USB and Q502USB mixing

consoles feature a rotary control for

thispurpose.

(18) 2-TRACK INPUT – The 2-TRACK INPUTs

are used to bring an external signal source

(e.g.CD player, tapedeck, etc.) into the

console. They can also be used as a standard

stereo line input, so the output of a second

XENYX or BEHRINGER ULTRALINK PRO MX882

can beconnected.

(19) 2-TRACK OUTPUT – These connectors are

wired in parallel with the MAIN OUT and carry

the main mix signal (unbalanced). Connectthe

2-TRACK OUTPUT to the inputs of your

recording device. Theoutput level is adjusted

via the high-precision MAIN MIX fader or

rotary control (Q802USB/Q502USB).

(20) USB/2-TR to MAIN – When pressed,

thisbutton sends the audio from the

USB and 2-TRACK inputs to the main mix

(Q502USBonly).

(21) USB/2-TR to PHONES – When pressed,

thisbutton sends the audio from the USB

and 2-TRACK inputs to the PHONES jack

(Q502USBonly).

(22) FX TO CTRL ROOM – If you want to monitor

only the FX send signal in your headphones

or monitor speaker(s), press the FX TO CTRL

switch. This mutes the main mix signal while

routing the FXSEND output to the monitor(s).

The XENYX Q802USB and Q502USB do not

feature this switch.

(23) +48 V – The red +48 V LED lights up when

phantom power is on. The PHANTOM switch

activates the phantom power supply on the

XLR connectors of all mono channels.

(24) POWER – The POWER LED indicates that the

console is powered on.

(25) LEVEL INDICATOR – The high-precision

4-segment display accurately displays the

relevant signal level.

(26) COMP – This knob adjusts the amount of

compression eect on the channel.

(27) PHANTOM – Press this knob to send +48 V

of phantom power to the XLR inputs for use

with condenser microphones. The Q502USB

supplies +15V of phantom power.

(28) USB/2-TR TO PHONES/CTRL RM –

button routes USB/2-Track playback to

PHONES/CTRL ROOM.

(29) USB/2-TR TO MAIN MIX – button routes

USB/2-Track playback to MAIN MIX and mutes

the 2-TR OUT/USB recording signal.

(30) USB CONNECTOR – Connect your mixer to a

computer using a standard USB cable.

(31) AC POWER IN – Connect the included power

cable here.

The mixer cannot be bus-powered via USB.

Alwaysuse the included power adapter to supply

power to the mixer.

Behringer Xenyx Q802USB Seite 8

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