Bedienungsanleitung Behringer Xenyx XL3200 (Seite 16 von 22) (Englisch)

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16 XENYX XL3200/XL2400/XL1600 User Manual

MON

Use the MON controls to add an eect signal to the monitor buses 1 and 2.

Forthis application, the eects unit needs a signal: turn up the respective master

FXSEND control and the FX send controls on the channel strips (34) and pull up

the channel faders.

1-2, 3-4

These selector switches route the eect signal to the main mix or to the subgroups

1-2 or 3-4. For example, if you create a subgroup for a choir, you need to feed the

eect, which processes the vocal signal, to the same subgroup so that all signals

can be adjusted equally. In this case it doesn't matter that the FX sends are routed

post-fader as long as the choir's volume level is adjusted with the subgroup fader.

Otherwise, the eect signal is perceived as unaected in the main mix.

MUTE

The MUTE switch mutes the eect return path. Use this function to deactivate

the reverb eect of a vocalist who makes announcements between songs.

Thecorresponding MUTE LED indicates that the channel is muted.

SOLO

Press the SOLO switch to listen in on the eect signal on the

headphones/speakers as well as see it on the monitor meter ½.

Thecorresponding LED lights up when the solo function is activated.

FX RETURN

The FX return fader adjusts the volume level of the returned eect signal in the

main mix and subgroups (this depends on the routing switch you have pressed).

5.8 Monitor send section

The monitor send section merges the monitor signals of all channels. Thenthe

mix is sent to the monitor outputs. The monitor fader provides precise

adjustment and optical control of the monitor outputsignals.

SEND

The SEND faders control the output level of the monitor buses. Each fader is

60mm long and features 10 dB headroom.

MUTE

Each monitor send has a MUTE switch and MUTE LED.

SOLO

For acoustic control of the stage sound, use the SOLO switch to feed the monitor

signal to the headphone and speaker output. If you connect the speaker output to

a monitor that is identical with the monitor speakers on stage, you can tell how

the stage sound is perceived.

5.9 AUX master section

This section is split up in an aux send section (left side) and an aux return

section(right side). The aux send paths 1 and 2 can individually be switched from

pre-fader to post-fader depending on whether you want to use them as monitor

or eect signal paths. As with all outputs, both aux master outputs feature 10 dB

headroom as well as a MUTE and SOLO switch.

In the aux return section, you can adjust the signals of the devices (CD player,

eects unit, submixer, etc.) connected to the aux inputs which are then routed to

the monitor buses and the main mix.

PRE/POST

This is the global PRE/POST switch for the aux buses. For utmost exibility,

eachAUX bus can individually be switched from pre-fader to post-fader.

AUX SEND

The Master AUX SEND controls 1 and 2 adjust the signals' volume level of the

respective aux send connector. This way you adjust the sum of the AUX 1 and

AUX2 signals on the input channels.

MUTE

The MUTE switch mutes the aux outputs.

SOLO

The aux send signals can individually be listened to using the SOLO function.

MON

A signal sent from AUX RETURN can be added to the stage mix using the

MONcontrol.

AUX RETURN

The AUX RETURN controls adjust the volume level of the aux return signals in the

main mix.

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