Connections
All connections should be made with the equipment
s
witched off.
T
here are 2 linked pairs of terminals on the back of the
speaker. For conventional connection the terminal links
should remain in place (as delivered) and just one pair
o
f terminals connected to the amplifier. For bi-wire
connection the terminal links should be removed and
e
ach pair of terminals connected to the amplifier
independently. Bi-wiring can improve the resolution of
low-frequency detail. Figures 3a and 3b illustrate
c
onventional and bi-wire connection.
E
nsure that positive terminals on the speaker (marked
+
and coloured red) are connected to the positive
o
utput terminal on the amplifier and that negative
t
erminals on the speaker (marked – and coloured
black) are connected to the negative output terminal
on the amplifier. Incorrect connection can result in
poor imaging and loss of bass.
Ask your dealer for advice when selecting speaker
cable. Keep its total impedance below the maximum
recommended in the speaker specification and use a
low inductance cable to avoid attenuation of high
frequencies.
Fine Tuning
Before fine tuning, make sure that all the connections
in the installation are correct and secure.
Moving the speakers further from the walls will
generally reduce the volume of bass. Space behind
the speakers will also help to create an aural
impression of depth. Conversely, moving the speakers
closer to the walls will increase the volume of bass. If
you want to reduce the volume of bass without
moving the speakers further from the wall, fit the foam
plugs in the port tubes as illustrated in Figure 4.
If the bass seems uneven with frequency this will most
probably be due to resonance modes in the listening
room. Even small changes in the position of the
speakers or the listening position can have a profound
effect on how these resonances affect the sound. Try
moving the listening position or locating the speakers
along a different wall. The presence and position of
large pieces of furniture can also influence resonance
modes.
If the central image lacks focus, try moving the
speakers closer together or angling them inward so
that they point at a location just in front of the listening
position. Figure 1b illustrates speakers angled inwards.
If the sound is too bright, increasing the amount of
soft furnishing in the room (heavier curtains for
example) may help balance the sound. Conversely,
r
educing the amount of soft fur
nishing may help
brighten a dull sound.
Some rooms suffer from "flutter echoes" – echoes that
"bounce" between parallel room boundaries. Flutter
echoes can colour the sound of the speakers in the
room. Test for flutter echoes by standing in the middle
of the room and clapping your hands. Flutter echoes
can be r
educed by placing irr
egular shaped items or
n
on-reflective surfaces, bookshelves, rugs or pictures
for example, on one of the offending walls or floor.
E
nsure that the speaker stands are upright and firm on
t
he floor. Use carpet piercing spikes if appropriate and
adjust them to take up any unevenness.
R
unning-in Period
T
he performance of the speaker will change subtly
during the initial listening period. If the speaker has
b
een stored in a cold environment, the damping
compounds and suspension materials of the drive
units will take some time to recover their correct
m
echanical properties. The drive unit suspensions will
a
lso loosen up during the first hours of use. The time
taken for the speaker to achieve its intended
performance will vary depending on previous storage
conditions and how it is used. As a guide, allow up to
a week for the temperature effects to stabilise and
15 hours of average use for the mechanical parts to
attain their intended design characteristics.
However, longer run-in periods (as long as a month)
have been reported and there is evidence to suggest
that this has little to do with the speaker changing and
more to do with the listener getting used to the new
sound. This is especially so with highly revealing
speakers such as these where there may be a
significant increase in the amount of detail compared
with what the listener has previously been used to; the
sound may at first appear too "up front" and perhaps
a little hard. After an extended period of time the
sound will seem to mellow, but without losing clarity
and detail.
Aftercare
The cabinet surfaces usually only require dusting. If
you wish to use an aerosol or other cleaner, remove
the grille first by gently pulling it away from the
cabinet. Spray aerosols onto the cleaning cloth, not
directly onto the product. Test a small area first, as
some cleaning products may damage some of the
surfaces. Avoid products that are abrasive, or contain
acid, alkali or anti-bacterial agents. Do not use
cleaning agents on the drive units. The grille fabric
may be cleaned with a normal clothes brush whilst the
grille is detached from the cabinet. Avoid touching the
drive units, especially the tweeter, as damage may
result.
Limited Warranty
This product has been designed and manufactured to
the highest quality standar
ds. However, if something
does go wrong with this product, B&W Group Ltd. and
its national distributors warrant free of charge labour
(exclusion may apply) and replacement parts in any
country served by an of
ficial B&W distributor
.
This limited warranty is valid for a period of five years
from the date of purchase or two years for electronics
including amplified loudspeakers.
3
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