Bedienungsanleitung Citronic PRO-3 USB (Seite 5 von 10) (Englisch)

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When engaged this function will decrease all signal levels, except the microphone level, by

14dB.

These switches are used to select the input source assigned to each channel. Each channel

may only be assigned one input source at a time.

This adjustment is used to adjust an audio source signal input gain for a channel. Never use

the gain control to adjust output volume. Setting the gain level properly will ensure a clean

output signal. To properly set the gain level controls:

1. Be sure the MASTER VOLUME CONTROL (15) is set to minimum (zero output).

2. Set the CHANNEL FADER (10) to level 7.

3. Begin play on an audio source connected to the channel you are adjusting.

4. Turn the PFL (14) function on, for the channel you are adjusting.

5. Use the GAIN CONTROL (6) to achieve an average output level of no distortion.

4. Talkover Switch

5. Channel Input Switch

6. Channel Gain Control

7~9.CHANNEL EQUALIZER ( BASS/MID/TREBLE CONTROL)

CHANNEL TREBLE CONTROL

CHANNEL MIDRANGE CONTROL

CHANNEL BASS CONTROL

10.Channel Fader

11. Crossfader

12.Headphone Level Control

13.Headphone Mix (Pan) Control

All of the channels include a three-band signal EQ. These controls are used to increase or

decrease the LOW’s, MID’s, and HI’s of the output signal.

This knob is used to adjust the treble levels of a channel allowing for a maximum treble gain

of 9dB or maximum decrease of -15dB. Turning the knob in a counter-clockwise direction

will decrease the amount of treble applied to a channel signal, turning the knob in a clockwise

direction will increase the amount of treble applied to a channel signal.

This knob is used to adjust the midrange levels of a channel allowing for a maximum midrange

gain of 9dB or maximum decrease of -24dB. Turning the knob in a counter-clockwise direction

will decrease the amount of midrange applied to a channel signal, turning the knob in a

clockwise direction will increase the amount of midrange applied to a channel signal.

This knob is used to adjust the low frequency levels of a channel allowing for a maximum bass

gain of 9dB or maximum signal decrease of -25dB. Turning the knob in a counter-clockwise

direction will decrease the amount of bass applied to a channel signal, turning the knob in a

clockwise direction will increase the amount of bass applied to a channel signal.

These faders are used to control the output signalofany source assigned to its particular

channel.

This fader is used to blend the output signals of channels one and three together. When the

fader is in the full left position (channel 1), the output signal of channel on will be controlled

by the master volume level. The same fundamentals will apply for channel three. Sliding the

fader from one position to another will vary the output signals of channels one and three

respectively. When the crossfader is set in the center position, the output signals of both the

channels one and channels three will be even.

Sets the desired music level to the headphones. The headphone program depends on the

position of the monitor pan control(13).

Varies the mix between the cued input and master output, ideal for accurate beat mixing. Full

left will give cued input, full right will give master output program.

14.PFL BUTTONS

These buttons are used to activate a channels “CUE” mode. A red LED next to the PFL

button will glow when a channels cue mode is activated. Cue mode will send a channels

incoming signal to the headphones. The cue level is adjusted by the CUE LEVEL ADJUS

-TMENT KNOB (12). Be sure the cue level is set to minimum before putting a pair of

Microphone Bass Control

This knob is used to adjust the bass levels of the Microphone with a maximum signal gain of

10dB or maximum signal decrease of -10dB. Turning the knob in a counter-clockwise direct

-ion will decrease the amount of bass applied to the microphone signal, turning the knob in

a clockwise direction will increase the amount of bass applied to microphone signal.

After

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