Bedienungsanleitung Denon AVR-1909 (Seite 77 von 103) (Englisch)

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DTS-ES™ Discrete

6.1

DTS-HD Master Audio

DTS,

Inc's lossless audio format compatible

With

to 96 kHz/7.1-channels.

The

lossless audio coding technology

faithfully reproduces the sound of the studio master. It

fully

compatible with conventional products, including conventional

DTS

digital surround 5.1-channel data.

DTS-HD High Resolution Audio

DiS

Surround

DTS

Digital Surround

the standard digital surround format of

DTS,

Inc., compatible with a sampling frequency of

44.1

or 48

kHz

and

to 5.1-channels of digital discrete surround sound.

DTS-HD Master Audio

DTS-HD

High Resolution Audio

improved version of the

conventional

DTS,

DTS-ES

and

DTS

96/24 signals formats, compatible

with sampling frequencies of 96 or 48

kHz

and

to 7.1-channels

of discrete digital sound. High

data

bit rate performance provides

high quality sound. This format

fully compatible with conventional

products, including conventional

DTS

digital surround 5.1-channel

data.

DTS Digital Surround

DTS-ESTM

Discrete

6.1

a 6.1-channel discrete digital audio format

adding a surround

back

(SB)

channel to the

DTS

digital surround sound.

Decoding of conventional 5.1-channel audio signals

also possible

according to the decoder.

DTS-ES™

Matrix

6.1

DTS

NEO:6™

Surround

DTS-ESTM

Matrix

6.1

a 6.1-channel discrete digital audio format

inserting a surround

back

(SB)

channel to the

DTS

digital surround

sound through matrix encoding. Decoding of conventional 5.1-channel

audio signals

also possible according to the decoder.

DTS

NEO:6™

a matrix decoding technology for achieving 6.1-

channel surround playback with 2-channel sources. It includes "DTS

NEO:6 Cinema" suited for playing movies and "DTS NEO:6 Music"

suited for playing music.

Manufactured under license from Dolby Laboratories.

"Dolby", "Pro Logic"

and

the double-D symbol

are

trademarks

of Dolby Laboratories.

Dolby TrueHD

a high definition audio technology developed by Dolby

Laboratories, using lossless coding technology to faithfully reproduce

the sound of the studio master.

This format

compatible with a maximum sampling frequency of 96

kHz

and

to 7.1-channels,

used for applications particularly

prioritizing sound quality.

Dolby Digital Plus

improved Dolby Digital signal format that

compatible with

to 7.1-channels

discrete digital sound

and

also

improves sound quality thanks to extra

data

bit rate performance. It

upwardly compatible with conventional Dolby Digital,

it offers

greater flexibility

response to the source signal

and

the conditions

of the playback equipment.

Dolby Pro Logic

Dolby

Pro

Logic IIx

Dolby

Pro

Logic

a matrix decoding technology developed

Dolby

Laboratories.

Regular music such

that

CDs

encoded into 5-channels to

achieve

excellent surround effect.

The surround channel signals

are

converted into stereo

and

full

band

signals (with a frequency response of

to 20

kHz

or greater) to

create a "three-dimensional" sound image offering a

rich

sense of

presence for

all

stereo sources.

Dolby

Pro

Logic IIx

a further improved version of the Dolby

Pro

Logic

matrix decoding technology.

Audio signals recorded

2-channels

are

decoded to achieve a natural

sound with

to 7.1-channels.

There

are

3 modes:

"Music"

suited for playing music, "Cinema"

suited for playing movies,

and

"Game" which

optimized for playing

games.

[As seen from the side]

Surround speaker

Front speaker

/ 2

t03

feet!

120

Surround speakers

[As seen from above]

Surround

The

AVR-1909

equipped with a digital signal processing circuit that

lets

you

play program sources

the surround mode to achieve the

same sense of presence

a movie theater.

[2] When not using surround back speakers

Dolby Surround

Dolby Digital

a multichannel digital signal format developed by Dolby

Laboratories.

A total of 5.1-channels

are

played: 3 front channels ("FL" , "FR"

and

"C),

2 surround channels ("SL"

and

"SR")

and

the "LFE" channel for

low frequencies.

Because of this, there

no crosstalk between channels

and

a realistic

sound field with a "three-dimensional" feeling (sense of distance,

movement

and

positioning)

achieved.

real,

overpowering sense of presence

achieved when playing

movie sources

rooms

well.

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