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Explanation of terms
A
Adobe RGB color / Adobe YCC601 color
Like x.v.Color, each of these color spaces defines
a palette of available colors that is larger than the
traditional RGB color model.
Audyssey Dynamic EQ
®
Audyssey Dynamic EQ solves the problem of
deteriorating sound quality as volume is decreased
by taking into account human perception and room
acoustics. Audyssey Dynamic EQ works in tandem
with Audyssey MultEQ
®
to provide well-balanced
sound for every listener at any volume level.
Audyssey Dynamic Volume
®
Audyssey Dynamic Volume solves the problem of
large variations in volume level between television
programs, commercials, and between the soft and
loud passages of movies. Audyssey Dynamic EQ
is integrated into Dynamic Volume so that as the
playback volume is adjusted automatically, the
perceived bass response, tonal balance, surround
impression, and dialog clarity remain the same.
Audyssey MultEQ
Audyssey MultEQ is a room equalization solution
that calibrates any audio system so that it can
achieve optimum performance for every listener
in a large listening area. Based on several room
measurements, MultEQ calculates an equalization
solution that corrects for both time and frequency
response problems in the listening area and also
performs a fully automated surround system setup.
Auto Lip Sync
If you connect the receiver to a TV that supports the
Auto Lip Sync function, it can automatically correct
delay between the audio and video.
D
Deep Color
This technology allows expression of more number
of colors than the conventional 8 bits and can
reproduce colors close to natural ones without color
streak.
Dolby Digital
Dolby Digital is a multi-channel digital signal format
developed by Dolby Laboratories.
A total of 5.1 channels are played: 3 front channels
(“FL” , “FR” and “C”), 2 surround channels
(“SL” and “SR”) and the “LFE” channel for low
frequencies.
Because of this, there is no crosstalk between
channels and a realistic sound field with a “three-
dimensional” feeling (sense of distance, movement
and positioning) is achieved.
A realistic, powerful sense of presence is achieved
when playing movie sources in AV rooms as well.
Dolby Digital EX
Dolby Digital EX is a 6.1-channel surround format
proposed by Dolby Laboratories that allows users
to enjoy in their homes the “DOLBY DIGITAL
SURROUND EX” audio format jointly developed by
Dolby Laboratories and Lucas Films.
The 6.1 channels of sound, including surround back
channels, provide improved sound positioning and
expression of space.
Dolby Digital Plus
Dolby Digital Plus is an improved Dolby Digital signal
format that is compatible with up to 7.1 channels
of discrete digital sound and also improves sound
quality thanks to extra data bit rate performance.
It is upwardly compatible with conventional Dolby
Digital, so it offers greater flexibility in response to
the source signal and the conditions of the playback
equipment.
Dolby TrueHD
Dolby TrueHD is a high definition audio technology
developed by Dolby Laboratories, using lossless
coding technology to faithfully reproduce the sound
of the studio master.
This format is compatible with a maximum sampling
frequency of 96 kHz and up to 7.1 channels, so it is
used for applications particularly prioritizing sound
quality.
Dolby Pro Logic g
Dolby Pro Logic g is a matrix decoding technology
developed by Dolby Laboratories.
Regular music such as that on CDs is encoded into
5 channels to achieve an excellent surround effect.
The surround channel signals are converted into
stereo and full band signals (with a frequency
response of 20 Hz to 20 kHz or greater) to create
a “three-dimensional” sound image offering a rich
sense of presence for all stereo sources.
Dolby Pro Logic g x
Dolby Pro Logic g x is a further improved version of
the Dolby Pro Logic g matrix decoding technology.
Audio signals recorded in 2 channels are decoded
to achieve a natural sound with up to 7.1 channels.
There are three modes: “Music” suited for playing
music, “Cinema” suited for playing movies, and
“Game” which is optimized for playing games.
Dolby Pro Logic g z
Dolby Pro Logic g z introduces a new dimension to
Home Entertainment through the addition of a pair
of front height channels. Compatible with stereo,
5.1-channel and 7.1-channel content, Dolby Pro
Logic g z provides enhanced spaciousness, depth
and dimension to movies, concert video and video
game playback while maintaining the full integrity
of the source mix.
Dolby Pro Logic g z identifies and decodes spatial
cues that occur naturally in all content, directing
this information to the front height channels,
complementing the performance of left and right
surround sound speakers. Content that is encoded
with Dolby Pro Logic g z height channel information
can be even more revealing, with perceptually
discrete height channel information bringing an
exciting new dimension to home entertainment.
Dolby Pro Logic g z, with front height channels is
also an ideal alternative for households that cannot
support the placement of back surround speakers
of a typical 7.1-channel system but may have
bookshelf space available to support the addition of
height speakers.
Downmix
This function converts the number of channels of
surround audio to less number of channels and
plays back.
DTS
This is an abbreviation of Digital Theater System,
which is a digital audio system developed by DTS.
When playing back audio by connecting this system
with a device such as DTS amplifier, accurate sound
field position and realistic sound effect as if you are
in a movie theater can be obtained.
DTS 96/24
DTS 96/24 is a digital audio format enabling high
sound quality playback in 5.1 channels with a
sampling frequency of 96 kHz and 24 bit quantization
on DVD-Video.
DTS Digital Surround
DTS Digital Surround is the standard digital surround
format of DTS, Inc., compatible with a sampling
frequency of 44.1 or 48 kHz and up to 5.1 channels
of digital discrete surround sound.
DTS-ES™ Discrete 6.1
DTS-ES™ Discrete 6.1 is a 6.1-channel discrete
digital audio format adding a surround back (SB)
channel to the DTS digital surround sound.
Decoding of conventional 5.1-channel audio signals
is also possible according to the decoder.
DTS-ES™ Matrix 6.1
DTS-ES™ Matrix 6.1 is a 6.1-channel discrete digital
audio format inserting a surround back (SB) channel
to the DTS digital surround sound through matrix
encoding. Decoding of conventional 5.1-channel
audio signals is also possible according to the
decoder.
DTS Express
DTS Express is an audio format supporting low bit
rates (max. 5.1 channels, 24 to 256 kbps).
DTS-HD
This audio technology provides higher sound quality
and enhanced functionality than the conventional
DTS and is adopted as an optional audio for Blu-ray
Disc. This technology supports multi-channel, high
data transfer speed, high sampling frequency, and
lossless audio playback. Maximum 7.1-channels are
supported in Blu-ray Disc.
DTS-HD High Resolution Audio
DTS-HD High Resolution Audio is an improved
version of the conventional DTS, DTS-ES and
DTS 96/24 signals formats, compatible with
sampling frequencies of 96 or 48 kHz and up to
7.1 channels of discrete digital sound. High data
bit rate performance provides high quality sound.
This format is fully compatible with conventional
products, including conventional DTS digital
surround 5.1-channel data.
DTS-HD Master Audio
DTS-HD Master Audio is DTS, Inc’s lossless audio
format compatible with up to 96 kHz/7.1 channels.
The lossless audio coding technology faithfully
reproduces the sound of the studio master. It is fully
compatible with conventional products, including
conventional DTS digital surround 5.1-channel data.