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Surround parameters r
ROOM SIZE:
This sets the size of the sound field.
There are five settings: “small”, “med.s” (medium-small), “medium”, “med.l” (medium-large) and “large”. “small” recreates a small sound
field, “large” a large sound field.
EFFECT LEVEL:
This sets the strength of the surround effect.
The level can be set in 15 steps from 1 to 15. Lower the level if the sound seems distorted.
DELAY TIME:
The delay time can be set within the range of 0 to 300 ms only in matrix mode.
TONE CONTROL:
This can be set individually for each surround mode except Pure Direct and Direct.
ROOM EQ:
This sets the frequency response of each speaker.
“OFF”.................The Equalizer is not used.
“Normal” ............Adjust the frequency response of all speaker suitable for general surround system.
“Flat”..................Adjust the frequency response of all speakers flat.
This is suitable for music reproduction like ITU-R speaker setting.
“Front” ...............Adjusts the characteristics of each speaker to the characteristics of the front speakers.
“Manual”............Selects the setting value that was set in the Manual EQ setup
2 Surround modes and parameters
C
C
E
C *
C *
C *
C
E
C
C
C
C
C
C
C
C
C
C
C
C
E
C *
C *
C *
E
C
C
C
C
C
C
C
C
C
C
C
C : Signal / Adjustable
E : No signal
B : Turned on or off by speaker configuration setting
C : Able
E : Unable
* : Only for 2 ch contents
Channel output
FRONT L/R CENTER
SURROUND
L/R
SUB-
WOOFER
SURROUND
BACK L/R
DIRECT / PURE DIRECT
STEREO
EXTERNAL INPUT
DOLBY PRO LOGIC
II
DOLBY PRO LOGIC II x
DTS NEO:6
DOLBY DIGITAL SURROUND
DTS SURROUND
5/7CH STEREO
WIDE SCREEN
SUPER STADIUM
ROCK ARENA
JAZZ CLUB
CLASSIC CONCERT
MONO MOVIE
VIDEO GAME
MATRIX
VIRTUAL
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
E
E
B
B
B
B
B
B
B
B
B
B
B
B
B
B
B
E
E
E
B
B
B
B
B
B
B
B
B
B
B
B
B
B
B
E
B
B
B
B
B
B
B
B
B
B
B
B
B
B
B
B
B
B
E
E
B
B
B
B
B
B
B
B
B
B
B
B
B
B
B
E
Mode
When
playing
Dolby
Digital
signals
When
playing
DTS
signals
When
playing
PCM
signals
When
playing
ANALOG
signals
C
C
E
C
C
C
E
E
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
E
E
C
C
C
C
C
C
C
C
C
C
Signals and adjustability in the different modes
