Bedienungsanleitung Digitech iPB-10 (Seite 57 von 74) (Englisch)

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Distortions

Distoron and overdrive pedals were designed to give your guitar tone gain before it reaches your amp. Many heavily distorted

pedals such as the DigiTech Grunge

were designed to provide most or all of the gain and run through a cleaner amp. Overdrives

are great for boosng the gain of your guitar sound and driving an already distorted amp, giving your total tone more gain and

a heavier feel. Overdrives on their own and ran into clean amps provide a bluesy tone. The available distoron pedals are:

•8tavia

(Modeled after Roger Mayer Octavia

)

Designed in 1967, the Octavia was featured on “Purple Haze” and

“Fire” by Jimi.

•Anxiety Disorder

(Modeled after Fulltone

OCD Overdrive)

Straddling the border of overdrive and distoron, the OCD produces

amazing harmonics and drives any amp into oblivion. The overdrive is

thicker than most, yet clear, leng every string and note come through.

•Big Pi

(Modeled after Electro-Harmonix

Big Muff Pi

)

A requirement for any alternave player, the Big Mu Pi’s thick fuzz is

unmistakable in grunge, new wave and many punk hits.

•DigiTech

Amp Driver

The Amp Driver distoron is designed to turn a regular distorted amp

into a monster. The Amp Driver not only distorts the guitar’s signal, but

also boosts frequencies around 600Hz. By emphasizing the frequencies

around 600Hz, amps can be driven harder and take on more of a metal

tone. A ‘mean sound’ is not only determined by how much gain you

put in front of your amp, but also by how hard you drive the amp and

with what frequencies the amp is driven with.

•DigiTech Death Metal

Designed in 1992 to provide death metal musicians with a wall of

sound, the Death Metal

pedal does just that. Whether you play early

‘90s grindcore or modern death metal, the Death Metal’s tone controls

give you a multude of sonic opons.

•DigiTech Grunge

In late 1991 as Grunge hit the radio, this pedal was designed as the

DOD FX69 Grunge. The pedal was designed by a young engineer who

played “punk” and was released as an experiment to see what this

“new type” of music was all about. Now a decade later, the Grunge is

sll a top-seller. The Grunge produces tones from early famous Seale

sounds to borderline metal. Don’t forget your annel….

•DigiTech Redline Modiﬁed Overdrive

Not your standard overdrive, the Redline takes overdrive to a place

that never existed. The Redline’s circuit overdrives the guitar’s signal

in a way that is not evenly clipped – like the way a tube amp distorts.

Add extra gain and a thicker low end and the Redline was born.

•Distortion

(Modeled after MXR

Distortion +)

A classic pedal due to it’s simplicity – just plug in and go. The Distoron

+ produces good honest distoron, perfect for driving a distorted amp.

Pedals – DistortionsPedals – Distortions

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Digitech iPB-10 Seite 57

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