Bedienungsanleitung Fender KXR 100 - PR 262 (Seite 3 von 6) (Englisch)

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recording or sound reinforcement mixer. In addition, this

output can be used to drive another KXR 100 as a slave amp.

This is done by connecting a standard guitar cord from the

Effects Send jack of the master amp to the Effects Return jack

of the slave amp.

H. Effects Return jack- This balanced jack inputs signal to the

Master Volume control, which drives the power amp section.

It automatically disconnects the preamp when used. This jack

is useful with the effects loop feature, or when using the KXR

100 as a slave amp.

1. Master Volume control- This control adjusts the level of the

signal coming out of the preamplifier section. This control is

used in conjunction with the Channel Volume controls to set

the overall sound level of the amplifier. In order to maximize

headroom and minimize noise, instruments with low-level

output will require a high Channel Volume setting and a low

Master Volume setting, while other instruments may require a

lower Channel Volume and higher Master Volume setting. It

is recommended that the Master Volume control be set as

high as possible for maximum DELTACOMP’ compressor

range.

J. Record Out jack- Two RCA style jacks provide an

unbalanced, mono signal for recording. This signal is derived

from the preamp and is at line level, similar to that of the

Effects Send jack. The level is not affected by the Master

Volume Control.

K. Headphone jack- This jack allows the use of stereo

headphones for private listening. When this jack is used, the

internal speaker is disconnected. WARNING: BE CAREFUL

WHEN USING HEADPHONES, AS EXCESSIVE VOLUME

WILL DAMAGE YOUR HEARING.

L. Power Indicator- When this LED is illuminated, the KXR

100 is receiving power.

M. Power Switch- This switch turns the KXR 100 or Off.

When the switch is off, the amplifier is completely shut down.

A. Channel 1 Input (XLR)- A high sensitivity, XLR style

connector designed for use with microphones. This balanced

input can handle as much as 1V R.M.S.

B. Channel 1 Input (Phone)- Plug-in connection for

instruments. This balanced input can handle as much as 8V

R.M.S.

C. Channel 1 Volume- This control adjusts the preamplifier

gain of channel 1. It works in conjunction with the Master

Volume control (item 1) to set the overall loudness of the

amplifier for channel 1 only. Being a true “gain” control, it

allows for the use of a variety of microphones, keyboards or

other instruments with differing output signal levels. Low-

level instruments generally require a higher Channel Volume

setting while “hotter” keyboards will require a lower setting.

D. Channels 2 and 3 - These channels are provided for two

additional instruments. The inputs and volume controls

operate in the same manner as items B and C in Channel 1.

These channels are muted when nothing is plugged into their

inputs, and thus will contribute no additional residual noise

to the amplifier output when left unused. All three channels

may be used simultaneously, however Channel 1 should be

used first if only one input is needed.

E. Equalizer- The equalizer allows precise adjustments of the

tonal characteristics of the amplifier. Each control provides a

12 dB boost or cut to bands of frequencies centered about

100, 338,1588, and 4000 Hz.

F. Reverb control- This control adjusts the amount of reverb to

be mixed with the dry signal. The input to the reverb circuitry

is the sum of channels 1, 2 and 3.

G. Effects Send jack- This jack provides an unbalanced

output signal from the preamp. This output can be used with

the Effects Return jack (item H) as a patch point for mono

effects devices. The Effects Send is connected to the input of

the effect (digital delay or other effects device) and the output

of the effect is connected to the Effects Return jack (item H).

The Effects Send can also be used to provide a signal to a

KXR 100 Front Panel Functions

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Fender KXR 100 - PR 262 Seite 3

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