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TYPE: PR 616
PART NUMBER: 2282000000 (120V, 60Hz) US, 2282001000 (110V, 60Hz) TW, 2282003000 (240V, 50Hz) AUS,
2282004000 (230V, 50Hz) UK, 2282005000 (220V, 50Hz) ARG, 2282006000 (230V, 50Hz) EUR,
2282007000 (100V, 50Hz) JPN
POWER REQUIREMENT: 1000W
POWER OUTPUT: 500W+ RMS into 2Ω @ 1%THD 400W RMS into 4Ω @ 5%THD
INPUT IMPEDANCE: 510kΩ
INPUT SENSITIVITY: (Clean Volume at maximum, all tone controls at “12 o’clock,” FX Level and Boost at minimum)
INSTRUMENT: @ 4Ω 400W: 130mV, @ 2Ω 500W: 100mV Input
POWER AMP: @ 4Ω 400W: 1.87V, @ 2Ω 500W: 1.41V Input
EFFECTS LOOP: SEND IMPEDANCE: 220Ω, RETURN IMPEDANCE: 10kΩ
FOOTSWITCH: 4-Button: Channel Select / Drive Select / Effects / Boost (P/N 064732),
FUSES: 100V-120V versions: F15A, 125V, 220V-240V versions: F8A, 250V
RECOMMENDED SPEAKERS:
MH-412 SL (P/N 2282800000), MH-412 ST (P/N 2282900000)
DIMENSIONS: HEIGHT: 8.50 in (21.6 cm), WIDTH: 29.25 in (74.3 cm), DEPTH: 11.0 in (27.9 cm)
WEIGHT: 50 lb (22.7 kg)
Product specifications are subject to change without notice.
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R. EFFECTS LOOP - SEND is a preamp output that
includes onboard equalization and DSP effects.
RETURN is a power amp input. Connect only
shielded instrument cable with standard 1/4" mono
phone plugs to these jacks:
•Effects Loop - Connect SEND to your effect’s input
and RETURN to the effect’s output.
• Multiple MH-500 Amplifiers - Connect SEND on your
primary MH-500 to the RETURN on your auxiliary MH-
500. The primary MH-500 will control all the auxiliary
amplifiers. More amplifiers can be connected by
splitting the SEND signal of the primary MH-500
(using “Y”-adapters) to connect to the RETURN of
each auxiliary amplifier.
Select from 16 effect variations and combinations:
• DELAY signal echoes of various intervals and repeats
• REVERB creates the ambience of different acoustic spaces
• CHORUS and FLANGE pitch and
delay modulation in multiple stages
• VIBRATONE simulates the
“doppler effect” of a rotating
speaker
• NOISE GATE reduces noise at low
input levels. Higher FX LEVEL
settings will create a “stop–start”
effect by cutting off the guitar
signal abruptly.
• PHASER phase modulation in
multiple stages
Delay 1 slapback delay (140 ms)
Delay 2 medium delay (315 ms)
Delay 3 long delay (480 ms)
Reverb 1 large room
Reverb 2 medium hall
Reverb + Delay 3 medium hall / medium delay (235 ms)
Chorus 1 slow, deep sweep
Chorus 2 fast, light sweep
Chorus + Delay 3 fast chorus / long delay (480 ms)
Chorus + Reverb 4 fast chorus / medium hall
Flange 1 fast, light sweep
Flange 2 slow, deep sweep
Vibratone 1 medium rotation
Noisegate + Chorus 1 noisegate / deep sweep
Noisegate 2 noisegate
Phaser 1 medium sweep
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