Bedienungsanleitung Fender Mustang LT25 (Seite 10 von 23) (Englisch)

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MUSTANG LT25 AMPLIFIER MODELS

This table lists the amp models in Mustang LT25. The amp label used in each preset appears in the lefthand

column, followed by the amp type and a brief description in the righthand column.

50S TWIN Based on a 1957 Twin—an original-era 2x12” Fender tweed

classic prized for clean-to-dirty versatility

60S UK CLN Inspired by the Vox AC30, which powered the British Invasion

and produced remarkable clean and dirty tone

70S ROCK Inspired by a late-’60s/early-’70s Marshall Super Lead, the

amp that powered the dawn of hard rock

70S UK CLN Inspired by the original 100-watt Hiwatt DR103, which is

the classic cleaner-tone British stack

80S ROCK Inspired by the Marshall JCM800, which produced quintessential ’80s metal tone

90S ROCK Based on the Mesa Dual Rectifer, which featured distinctive

distortion that shaped the “nu-metal” sound

BASSMAN Based on the venerable ’59 Bassman®—one of Fender’s greatest tweed amps, which

began life as a bass amp before being adopted by countless guitarists

BURN Based on the “burn” channel of the modern Fender Super-Sonic amp, which has two

cascading preamp gain stages for pronounced sustain

CHAMP Based on the ’57 Champ®—the small but mighty late-’50s Fender recording great

DELUXE CLN Based on the highly popular 1965 Fender Deluxe Reverb®—an amp with great tone

whether clean or dirty, and cranked in countless clubs

DELUXE DIRT Based on a 1957 Deluxe™—a medium-power late-’50s Fender tweed

classic known for thick, compressed overdrive

DOOM METAL Inspired by the “sludgy” majesty of the Orange OR120

EXCELSIOR An elegantly eccentric modern-day Fender model with the

distinctive thump of a 15” speaker

ALT METAL Based on the distinctive nu-metal-dening distortion of the Mesa Dual Rectier, gat-

ed with a very fast attenuation curve especially ideal for high-gain metal

METAL 2000 Modern high-gain scorch based on the EVH® 5150III

PRINCETON Based on a 1965 Princeton®—a mid-’60s Fender studio favorite with

the snappy tone of a single 10” speaker

SMALLTONE Inspired by the garage-classic 1960s Sears Silvertone

beloved of retro/alternative players

SUPER CLEAN Direct-to-mixing-desk studio-preamp purity with

clean, uncolored tonal response

SUPER HEAVY Modern high-gain scorch based on the EVH® 5150III, gated with a very fast attenua-

tion curve especially ideal for high-gain metal

TWIN CLEAN Based on the 1965 Fender Twin Reverb®—an indispensable mid-’60s stage-and-

studio favorite prized for producing the Fender clean tone

Champ, Deluxe, Bassman, Princeton, Deluxe Reverb and Twin Reverb are trademarks of FMIC. All other non-FMIC product names and trademarks appearing in this manual

are the property of their respective owners and are used solely to identify the products whose tones and sounds were studied during sound model development for this

product. The use of these products and trademarks does not imply any aliation, connection, sponsorship, or approval between FMIC and with or by any third party.

PRESET AMP LABEL AMP TYPE AND DESCRIPTION

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