Bedienungsanleitung Focusrite Scarlett Plug-in Suite (Seite 5 von 9) (Englisch)

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Scarlett Plug-in Suite Modules

Compressor

The Scarlett Compressor is modelled on the legendary Focusrite hardware devices, with individually tuned optos to help create the

sound of vintage 1960s compression. The plug-in can be used to squash the dynamics of a sound in varying degrees, e.g. remove the

sudden loud bursts, so that the overall level can then be turned up to make the signal as loud as possible. A compressor essentially

acts like an automatic volume control, turning down the volume of a signal if it gets too loud. This reduces variation between loud

and quiet passages, as it automatically reduces the gain when the signal exceeds a given volume, dened as the threshold. Using the

Compressor helps to even out a performance, stopping a signal from clipping and/or disappearing in the mix, and can also give it a

whole new sonic character.

The controls are:

INPUT Knob – Increases or decreases the level of the signal at the compressor input. No gain modication occurs with the knob

in a central position. Rotate clockwise to increase and anticlockwise to decrease the level by up to 18dB

THRESHOLD Knob – Sets the level at which compression begins. The lower this value is set, the more of the signal will be

compressed as the audio will compress when the threshold is reached. Rotate the TRSHLD dial anticlockwise to lower the threshold

and so increase the compression

RATIO Knob – Determines how much the signal is reduced by when it exceeds the threshold. For example, a ratio of

10:1 means that when the level of the uncompressed signal exceeds the threshold by 10dB, the compressed signal will

only increase by 1dB.The higher the ratio therefore (the further the dial is rotated in a clockwise direction) the more

heavily the signal is compressed

GAIN REDUCTION Meter – Indicates when compression is occurring by showing the gain reduction that the

signal is undergoing

ATTACK Knob – Denes how quickly the compressor kicks in, e.g. how fast the signal is turned down when it exceeds the threshold.

In other words, setting a slower/longer attack time by rotating the dial clockwise will mean more of the loud

part of the signal gets through uncompressed, which makes the signal much more punchy but also more likely to clip

RELEASE Knob – Denes how quickly the compressor stops acting on the signal after it has begun to compress. Setting

a quicker/shorter release time by rotating the dial anticlockwise will normally make the signal louder overall, however this

is dependant on how often the level exceeds the threshold and how fast the attack time is

OUTPUT Knob – Denes how much the level of the compressed signal is increased after compression. This means

that a heavily compressed signal can be turned up loud to give it much more presence without fear of any overload

or clipping occurring

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