F
Owner's Manual
Memorising the setting ...............................................................................................................................4. 74
What does WX transmit and receive ? .......................................................................................................4. 75
MIDI Filters....................................................................................................................... 4. 77
The Filter parameters ................................................................................................................................4. 77
MIDI CONTROLLERS...............................................................................................................................4. 78
MIDI Other ........................................................................................................................ 4. 80
CLOCK: selects INT(ernal) or EXT(ernal) Clock. ....................................................................................4. 80
COMMON CHANNEL: assigns a channel (1-16 or Off)...........................................................................4. 80
MERGE: Activates (On) or deactivates (Off) the function. .......................................................................4. 81
SYSTEM EXCLUSIVE: enables the instrument for System Exclusive operations (On). ...........................4. 82
MIDI CHANNEL LOCK: locks a MIDI channel configuration for the instrument as a whole. ................4. 82
GENERAL MIDI: Affects GS and GM MIDI Standard Files.....................................................................4. 82
EDIT ARRANGE ..................................................................................................... 4. 84
CHAPTER 5
STYLES, SONGS & SEQUENCER...............................................................5. 1 - 5. 48
1. INTERNAL STYLES...................................................................................................... 5. 1
General information.....................................................................................................................................5. 1
What is a Style? ............................................................................................................................................5. 1
Chord recognition and the Riff ....................................................................................................................5. 2
How to select an Internal Style ....................................................................................................................5. 3
The Style Commands ....................................................................................................................................5. 3
The Style Tempo ...........................................................................................................................................5. 4
The Tempo-fix, M. Perf. and Sync functions ................................................................................................5. 4
Chord Split ...................................................................................................................................................5. 5
Free and Lock ..............................................................................................................................................5. 5
Deactivating the tracks engaged by the Sequencer (SEQ)...........................................................................5. 6
How to Mute a Sequencer track ...................................................................................................................5. 6
How to disengage a track and play it in real time .......................................................................................5. 6
Save a modified Internal Style Performance................................................................................................5. 7
Save to SRam or Disk ...................................................................................................................................5. 7
Restore Internal Style Performance .............................................................................................................5. 7
The ARRANGER options and how the Styles are affected ...........................................................................5. 8
2. PROGRAMMABLE STYLES ...................................................................................... 5. 10
Riffs ............................................................................................................................................................5. 10
Styles can be programmed in three ways:..................................................................................................5. 10
The Prog. Style Performance .....................................................................................................................5. 10
How to record a Style (Real Time) .................................................................................... 5. 11
A detailed explanation of each step............................................................................................................5. 12
Name your Prog. Style ...............................................................................................................................5. 19
Save your new Prog. Style to SRam or to Disk ..........................................................................................5. 19
Programming Styles using STEP recording ...................................................................... 5. 20
Procedure ...................................................................................................................................................5. 20
Use COPY to copy a recorded Riff to another ...........................................................................................5. 23
Other operations available in Prog Style mode .........................................................................................5. 23
Programmable Styles compared with Internal Styles ................................................................................5. 24
3. SONG STYLES............................................................................................................. 5. 25
