Bedienungsanleitung Harman Kardon PT2500 (Seite 13 von 16) (Englisch)

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PT2500 rev (G) 10/23/96

Operation

OPERATION

1. Press the Power button 1 on the

front panel to turn the unit on.

• To use the remote for power on/off it is

necessary to turn the unit on from the

front panel switch and to leave the switch

in the “on” position. The PT2500 may

then be turned off using the Power but-

ton b on the remote. When the remote

is used to turn the unit “off” it is actually

placing the system in a standby mode, as

indicated by the amber color of the power

switch ring.

• If you will be away from home for an

extended period of time it is always a

good idea to completely turn the unit off

using the front panel Power button 1.

2. Select the desired program source

using the Input Selector Switches

9)fon the front panel or remote.

• To use a camcorder or video game

which is connected to the front panel

VCR2 input, press the VCR2 Sel button

• When the selected input is VCR1, VCR2

or VDP the video signal for that input

will be routed to the MONITOR output

jacks ‹ and will be viewable on a TV

monitor connected to the PT2500. Make

certain that your TV set is set to the prop-

er “VIDEO” input to view the signal.

3. Choose a surround mode using the

Surround Mode Selector 6h

buttons on the front panel or remote. To

listen to traditional two channel stereo

press the Surround Off button 5h.

4. Adjust the Center Channel Mode

7o and/or Delay Time 4g if a

change is required from the setting

established during installation.

5. Adjust the volume to a comfortable

level using the front panel Volume

Control or remote Volume Up/Down

buttons ^n .

• To temporarily silence the system press

the Mute button m on the remote.

6. Adjust the Bass and Treble controls

!@ to suit your listening taste.

• To remove the tone controls from the

circuit, press the Direct button 3.

• At lower volume levels you may wish to

engage the Loudness button % to

boost low and high frequency sounds to

compensate for response of the human

ear at low listing levels (known as the

Fletcher-Munson hearing curve).

Surround Mode Options

Surround sound processing enables four

separate audio signals to be transmitted

within the left and right channels of a

videocassette, radio or TV broadcast, or

video disc. Through a process known as

matrix encoding a separate center chan-

nel signal for dialog and a surround

channel for effects are encoded into the

stereo signal. When you see the Dolby

Surround

™

, Dolby Stereo

™

, DTS Stereo

™

or other similar logos on a movie or

broadcast this indicates that the program

has surround information.

When the program you are listening to

has encoded surround information, as

shown by one of the logos or brand

names described above, select the

ProLogic mode using the front panel or

remote Surround Mode Selectors

6h.

If a center channel speaker is used along

with front left/right speakers, but no sur-

round speakers are used, choose the

Dolby 3 Stereo mode6h. This

combines the surround signal into the

front left and right channels to create a

greater feeling of presence and a more

expansive sound field than with conven-

tional stereo signals. Center channel dia-

log information will continue to be

heard through its proper place at center

screen.

When listening to conventional stereo

recordings or programs, those with sepa-

rate left and right channels but no inten-

tionally recorded surround information,

you may wish to experiment with the

surround modes to see which produces

the effect you prefer. Stereo recordings

often contain sufficient natural phase

differences so that the ProLogic or

Dolby 3 Stereo Modes are enjoyable,

despite the lack of true surround infor-

mation.

Stereo recordings may also sound more

expansive in either the Theater or

Stadium modes. Selecting these modes

6h uses the front left and right

speakers for normal stereo, while the sur-

round speakers are fed a reverberated

sound. In order to provide for a wider

variety of sound field effects, the sur-

round channel delay available in the

Theater and Stadium modes is substan-

tially greater than that in Dolby

ProLogic.

NOTE: The center channel speaker is

not operational in the Theater or

Stadium modes.

•PT2500(g).qx 10/23/96 7:36 AM Page 12

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