Bedienungsanleitung Ion ALESIS DM5 (Seite 51 von 68) (Englisch)

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External Triggering: Chapter 6

DM5 Reference Manual 45

Example: Suppose three drum pads are mounted on a single drum stand while set up

on a noisy stage. Normally, a higher Xtalk setting would be used to eliminate

interaction between the pads, and a high Noise floor setting would be selected to

reject the high level of ambient Noise and vibration. In certain cases with crosstalk

and Noise floor settings too high, softer hits might become rejected because the DM5

assumes that they are Noise.

Instead of compromising between the two parameters, there are two methods which

can improve this scenario.

Method One:

1 First, attach an inexpensive contact transducer to the center of the drum stand

and plug it into a DM5 input.

2 Next, go to Ext Trig page 1 and select the Velocity Curve setting of 0 (Unassigned)

for this trigger.

3 Go to the next page and set the Xtalk, Decay and the Noise levels all to 00. This

low level will allow the maximum amount of Noise and stand vibrations to be

detected by the DM5.

4 Using the TRIG LEVEL meter (at the bottom of the display), adjust the level to

select a “hotter” than usual Gain setting. Since in this case the gain is effected

only by the stand vibrations, a very strong signal is needed to maximize the

trigger's performance.

5 Now as the stage vibrates, or when other signals trigger the drum stand

transducer, the suppression function will note this signal and determine that any

softer signals coming from the other three pads must be crosstalk. Also, if the

suppression function sees a soft signal from the three main pads but little or no

signal from the drum stand transducer, it will assume that the pad signals are

valid hits and trigger the DM5 sounds.

Method Two:

In severe cases, this is another way in which the Unassigned feature can be used. For

this scenario lets use the bass as the reason the surrounding Noise level is making

proper triggering difficult. Each time the bass player “pops” a string, the vibration

triggers the tom 1 pad.

1 First, take a direct out from the bass amplifier, and plug it into an unused trigger

input on the DM5.

2 Next, go to Ext Trig page 1 and select the Velocity Curve setting of 0

(Unassigned) for this trigger.

3 Go to page 2 and set the Xtalk, Decay and Noise levels all to 00. This low level

will allow the maximum signal to be detected by the DM5.

4 Using the TRIG LEVEL bar graph meter, adjust the level according to the severity

of the false triggering. If notes are constantly triggering, use a high gain. If only

occasional, select a lower level.

5 Now when the DM5 receives a signal (from the tom 1 pad) which was generated

by the string pop from the bass, not only will it compare this signal to the other

drum pads, it will also compare it to the bass. In essence, the DM5 isolates the

bass from the Noise floor and “thinks” the bass is a another drum pad. It will

now treat it the same as any other pad and “filter” out the unwanted signals.

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