Bedienungsanleitung Korg i3 (Seite 26 von 36) (Englisch)

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Making Settings on the i3

Settings Mode

List of SETTING mode functions

(*: Factory-set default setting value)

Number Menu Settings Contents of settings

#01 Key Response Soft Touch

Medium Touch*

Hard Touch

Fixed_001...127

Sets the volume response curve in relation to velocity (the force with which keys are

pressed).

#02 Split Point C2...C4*... C7 Sets the location (split point) that separates the upper and lower parts when the split

function is on.

#03 PitchBend Range Style Setting*

Off

01...12

Sets the range of pitch change (how high or low the sound changes) that can be made to

the keyboard part using the joystick.

Style Setting: The pitch bend range set for each style.

01–12: Sets the pitch in units of semitones (12=

1 octave).

#04 Pedal Function No Assign

Damper*

Expression

See “Changing the pedal function” (page 25).

#05 Pedal Polarity –(KORG)*

+(Reverse)

See “Changing the pedal polarity” (page 25).

#06 MasterTuning

427.5...440.0*...452.9 Hz

Sets the overall tuning for the instrument (drums excepted).

#07 Chord Detect Fingered1*

Fingered2

Fingered3

Fingered3/Bass

Sets the method of chord recognition.

This setting is enabled when the split function is on. When split is off, “Fingered3” is

enabled.

Fingered1: You can play a single note or multiple notes. When you play a single note, this is

recognized as a major chord.

Fingered2: You need to play at least three notes for the chord to be recognized. Playing

only one note will play back in unison. The root and the 5th will be recognized as a major

chord when you play them.

Fingered3: You always need to play at least three notes for the chord to be recognized.

Fingered3/Bass: The Fingered3 setting is enabled, with the addition of bass inversions.

The lowest note of an inverted chord (the lowest note that you play of a chord) is always

considered to be the root of the chord. You can use this to specify composite chords like

Am7/G, F/C and so on.

#08 Scale Root Key C*...B Sets the note to be used as the root of the scale.

#09 Upper Scale Type SoundSet*

Equal

PureMajor

PureMinor

Arabic

Pythagorean

Werckmeister

Kirnberger

Slendro

Pelog

Stretch

User

“# 09 Upper Scale Type” sets the scale for the upper part.

“# 10 Style Scale Type” sets the scale used for the style accompaniment part and the

lower part.

SoundSet: This is the scale set for each style.

Equal (equal temperament tuning): This is a widely-used scale in general use, where the

difference in pitch between each semitone is uniform.

PureMajor (just temperament major scale): This is a scale in which the major chord for the

primary overtones selected harmonizes perfectly.

PureMinor (just temperament minor scale): This is a scale in which the minor chord for the

primary overtones selected harmonizes perfectly.

Arabic: This is a scale that includes quarter tones used in Arabian music.

Pythagorean: This is the scale used in ancient Greece, and is effective for playing

melodies.

Werckmeister: This is an equal temperament tuning used in later-era baroque music.

Kirnberger: This was a scale created in the 18th century, mainly used for harpsichord

tuning.

Slendro: This is a scale used on gamelans in Indonesia, with ﬁve notes per octave.

Pelog: This is another scale used on gamelans in Indonesia, with seven notes per octave.

When the key is set to “C”, use only white notes when playing (the black note pitches use

equal temperament tuning).

Stretch: This is a scale used for acoustic pianos.

User: This is a user-deﬁned scale.

#10 Style Scale Type Equal*

PureMajor

PureMinor

Arabic

Pythagorean

Werckmeister

Kirnberger

Slendro

Pelog

Stretch

User

User C Tune–User B

Tune

–99...+00*...99 Cent This is displayed when “User” is selected for “#09 Upper Scale Type” or “#10 Style Scale

Type”.

This indicates the amount of detuning compared to standard equal temperament tuning.

These settings affect the entire tonal range.

50: Moves the tuning up or down a 1/4 (quarter) tone.

99: Moves the tuning up or down nearly one semitone.

#11 Style Tempo Lock Off*, On Sets whether to lock the tempo when switching between styles. Setting this to “On” will

play the newly selected style at the current tempo.

#12 Tap Auto Start Disable*

Enable

Pressing TAP TEMPO button continuously will set whether performance begins

automatically or not.

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