Bedienungsanleitung Korg PS60 (Seite 18 von 68) (Englisch)

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Playing the PS60 and using the performance controls

Layering multiple sounds (Layer)

You can play multiple sounds simultaneously. This

type of setting is called a “layer.”

Layer

1. Hold down one of the ON buttons whose timbres

you want to layer, and then press the ON buttons

for the other desired timbres, making their

indicators light. When you release the buttons, the

sounds will be selected.

The master effect and EQ settings of the timbre you

first turned on will be used.

For example, suppose you hold down A.PIANO and

then press and hold STRINGS and BRASS

consecutively, then release these buttons. The display

will show as depicted in the following illustration.

When you play the keyboard, you’ll hear these three

sounds layered. This allows you to play richer sounds

than a single program could produce.

The master effect and EQ settings of the A.PIANO

program will be used.

Tip: When you’re using layer settings, you can switch a

timbre on/off by holding down the EXIT button and

pressing that timbre’s ON button.

Note: An “E” symbol is shown in the left side of the

display’s upper line, indicating that the settings have

been edited. This “E” symbol appears when you’ve

modified the saved settings by operating the perfor-

mance controls, etc.

2. Use each timbre’s variation  buttons to select a

program for that timbre.

Note: The master effect and EQ settings of the program

of the timbre you first turned on in step 1 will be used;

these settings will not change even if you switch varia-

tions. Although these master effect and EQ settings are

maintained until you return to single mode, you are

free to adjust them using the buttons and knobs on the

right side of the front panel (p. 20).

The insert effect assigned to each program will be

reloaded each time you switch variations.

Playing different sounds in different

regions of the keyboard (Split)

You can divide the PS60’s keyboard into two regions,

and play different sounds in each region. This type of

setting is called a “split.”

The two regions are referred to as the Lower region

(lower notes) and Upper region (higher notes), and the

key at which they are divided is called the “split point.”

The split point is the lowest key in the upper region.

Split

Main timbres and sub timbres

The six timbres A.PIANO–SYNTH you used as

described above in “Using a single timbre (Single)”

and “Layering multiple sounds (Layer)” (p. 13) are

the “main timbres.” When you’re using split settings,

you can use another six “sub timbres” A.PIANO–

SYNTH in addition to these six main timbres. Since

you can use up to six categories each for lower and

upper, this allows you to play a total of twelve sounds

simultaneously.

The “main timbres” are used regardless of whether

split is on/off; the “sub timbres” are added when you

make split settings.

In the display when you’re selecting performances, the

main timbres are enclosed in square brackets [ ].

(Split is off) Main timbres (split is off )

(Split is on) Lower: main timbres / Upper: sub timbres

(Split is on) Lower: sub timbres / Upper: main timbres

The effect and EQ settings of the main timbres will

take priority for the main timbres and the sub timbres.

When split settings are used, sub timbres are added

but the number of effects does not change, so they are

shared by the main timbres and sub timbres. The order

of priority is as follows.

• The insert effects are shared by identically-named

timbres (categories); the settings of the main timbre

take priority.

• The master effect and EQ are shared by the main

timbre and sub timbres, and the settings of the main

timbres take priority.

( “Effect priority order,” p. 59)

Timbre type

Timbre on/off status

Split point

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