Bedienungsanleitung Korg R3 (Seite 35 von 94) (Englisch)

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5. OSC1 (Oscillator 1)

broaden the pitch difference between the

oscillators, producing a richer sound.

Knob [4] Control2: Phase [000…127]

Specifies the phase of each oscillator at

note-on. This will affect the tone of the at-

tack. A setting of 127 will change the pitch

and volume.

000 (0º) 063 (90º) 127 (180º)

Saw

Pulse

Triangle

Sine

When Knob [1] Wave: Saw, Pulse,

Triangle, Sine

and Knob [2] OSC1 Mod: VPM

Knob [3] Control1:

Modulation Depth

[000…127]

Adjusts the depth of VPM.

Knob [4] Control2: Modulation Harmonics

[001…32]

Specifies the frequency of the VPM modu-

lator as a harmonic multiple of oscillator 1.

Processing an external audio signal

You can use the filter, amp, EG, and LFO

etc. to process the signal from a external

synthesizer, rhythm machine, or audio de-

vice in the same way as an oscillator wave-

form.

Before you connect an external device,

turn off the power of the R3 and of any

external output devices and power

amps.

1 Turn the [AUDIO INPUT 1] and

[AUDIO INPUT2] knob to the MIN

position, and

set the [MIC] switch

to REAR

Connect the output jacks of your ex-

ternal device to the [AUDIO INPUT

1] jack and [AUDIO INPUT 2] jack,

and set the AUDIO INPUT 1 [MIC/

LINE] switch to LINE.

3 After making connections, turn the

power on to your external device,

the

R3, and your powered monitor

speaker system - in that order.

4 Select a synth program and initial-

ize it (hold the [SHIFT] button and

press the PROGRAM SELECT [2]

button. Press the blinking [2] but-

ton to initialize;

[EXIT]

to cancel.(

☞p.75).

5 Turn the [PAGE] dial to the 5. OSC

1 page, and set “WAVE” (knob [1])

to AudioIn.

6 Send an audio signal from the exter-

nal device, and turn the [AUDIO IN-

PUT 1] and [AUDIO INPUT2] knob

toward MAX as far as possible with-

out allowing the AUDIO INPUT 1 and

AUDIO IN 2 LED to light red.

MIDI IN

MIDI OUT

tone generator module, rhythm machine,

or audio device

7 While inputting an audio signal,

play the keyboard.

8 Edit the FILTER, AMP, EG, LFO, and

effects as described in “Basic edit-

ing procedure” (☞p.19), to modify

the sound.

The PITCH-related parameters have

no effect on the sound from the [AU-

DIO INPUT 1] and [AUDIO INPUT 2]

jacks.

In this example, you could connect the

R3’s MIDI OUT to the MIDI IN of your

external MIDI device and set the MIDI

channels to match, so that your sound

module or other external MIDI device

will produce sound when you play the

keyboard of the R3 (☞p.64). You can

use the R3’s keyboard to play the

sounds of your external device, and use

the [PAGE] dial and the CONTROLS

[1]–[4] knobs to modify the sound.

You can use an external input as the

carrier of the vocoder.

If the 2. Unison page “Sw” (knob [1])

is On (2–4 Voice), certain parameters

are automatically set to allow the au-

dio input to be handled in stereo. In

this case, please note the following

points.

•Regardless of the OSC1Ctr2: Balance

setting, the L-channel signal will be

fixed at L63 and the R-channel sig-

nal at R63.

•Regardless of the 2. Unison page

“Sw” setting, this parameter will be

fixed at 2 Voice.

•

If the 2. Unison page “Spread” pa-

rameter (knob [3]) is set to 0, both the

L-channel and R-channel of the tim-

bre output will be panned (

☞p.37

12.

Amp page “Panpot” parameter) to

CNT. If the “Spread” parameter is set

to 127, they will be set to L63 and

R63.

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