Bedienungsanleitung Korg X50 (Seite 91 von 132) (Englisch)

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Dynamic modulation and BPM/MIDI Sync.

Quick StartIntroductionSetupProgram

Combination

MultiEffectGlobalArpeggiatorDrum Kit

External control

Other functions

Appendices

In this example, IFX is used by 2 (timbre 2) and 5

(timbre 5).

In the same way as for a program, you can select

the insert effect, turn it on/off, and set the “Pan

(CC#8),” “BUS Select,” “S1” (Send 1 (MFX1)), and

“S2” (Send2 (MFX2)) parameters that follow the

insert effect. (☞p.82)

Master effects

Master EQ

These settings are made in the same way as for

programs (☞p.83).

Specifying the MIDI channel that will

control effects

Insert effect

You can specify the MIDI channel that will control

the insert effect dynamic modulation (Dmod) and

the “Pan” (CC#8), “Send 1 (MFX1),” and “Send 2

(MFX2)” settings that follow the insert effect.

An asterisk “

” is shown at the right of Ch01–16

for the channel numbers of timbres that are routed

to IFX. If multiple timbres/tracks of different

MIDI channels are routed to IFX, set the “Control

Channel” to specify the channel you’ll use to con-

trol the effect.

For a combination, you will normally use the Gch

(global MIDI channel) to control the effect.

For a multi set, you can use any MIDI channel that

is convenient.

“All Rt.” stands for All Routed, indicating that

you can control the effect using the channel of any

timbre/track that is routed.

Master effects

You can specify the MIDI channel that will control

dynamic modulation (Dmod) for the master effects.

For a combination, you will normally use the Gch

(global MIDI channel) to control the effects.

For a multi set, you can use any MIDI channel that

is convenient.

Dynamic modulation and

BPM/MIDI Sync.

Dynamic modulation (Dmod) is a function that

lets you use MIDI messages or the X50’s control-

lers to control speciﬁc effect parameters in real-

time.

BPM/MIDI Sync. is another function that controls

effect parameters, and is used to synchronize the

LFO speed of modulation-type effects or the delay

time etc. of delay-type effects to the tempo of the

arpeggiator or an external sequencer.

Using dynamic modulation to con-

trol effects in realtime

These examples show how you can use dynamic

modulation to control an effect parameter in real-

time.

1. As described in the procedure for “Effect

settings for a program” (☞p.81), set “IFX” to

49: LCR BPM Delay. Verify that a delay sound

is being output.

Then continue on to set the items described

below.

Moving the [MOD] wheel to vary the

delay level via Dmod

1. Access the PROG 8: Ed–InsertFX, IFX page.

2. Set “InLvl Mod” to +100.

3. Set “Src” to M.Whl#1.

The [MOD] wheel will control the input level to

the effect.

If this is set to M.Whl#1, moving the [MOD]

wheel up will gradually increase the level of

the delayed signal.

Using the Dmod function and [SW1] to

vary the feedback level

1. In the PROG 7: Ed–Arp/Ctrls, Controls page,

set the function of “SW1” to SW1 Mod.

(CC#80), Toggle.

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