Bedienungsanleitung Line 6 Helix Control (Seite 58 von 62) (Englisch)

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4. Set both tracks' outputs, as well as the DAW Master output,

to Helix USB 1/2 to allow all tracks to play back through Helix.

NOTE: Setting the stereo track's output to Helix USB 1/2 allows you to hear

your Helix-processed tone via the Helix hardware monitoring while record-

ing.Forthisconguration,disablesoftwaremonitoringonallDAWtracks.

5. Arm both these DAW audio tracks, hit the Record button and

start laying down your guitar performance!

Now you have your Helix-processed track to hear with the project, and a separate DI

track with which you can further experiment at any time with DAW plug-ins and/or re-

amping (see the next section).

Re-amping Through Helix

If your DAW software provides options for routing individual audio tracks to outputs

other than just the main Helix USB Out 1/2, then you can use these steps for re-amp-

ing a dry recorded DI track back through Helix.

1. In your DAW software, set the DI track's Output setting to a

Helix stereo USB Out other than USB Out 1/2. For this example

we'll use Helix USB Out 3/4.

2. Create a new stereo track in your DAW project and set this

track's Input and Output both to USB 1/2 - Let's name this

track "Re-amped." Arm the track for recording.

NOTE: In some DAW software it may be necessary to also activate the

software monitoring feature on this "re-amped" track to monitor the Helix-

processed signal when playing back your project. See your software's docu-

mentation.

3. On Helix, select the Input block and set it to receive from the

same USB stereo pair (USB In 3/4) and keep the Output block

set to "Multi." Load your choice of amps and eects on the

current Helix preset.

16B Dream Rig Duet

FeedbackTime

[37%]

Delay Harmony Delay

LevelMixKeyScale

0.0 dB40%MinorD1/8

DRY DI GUITAR

USB

RE-AMPED GUITAR

TRACK 1 (Dry DI Guitar)

(

Processed

uitar

)

TRACK 3 (Re-amped Guitar)

4. Now play your DAW project and you'll hear the DI track "re-

amped" through your Helix! Adjust the DI track's volume slider

to make sure the signal feeding into Helix is not too hot. Tweak

your Helix amp & eects as desired while listening with the

playback of your project mix.

5. Once you have your re-amplied guitar tone they way you like

it, Solo both the DI and re-amped tracks, rewind to the start of

the project and hit the DAW Record button, allowing it to cap-

ture the signal into the new re-amped track in real-time.

Allow the DI track to play to the end, stop recording and you've created your new re-

amped guitar track!

TIP: Note that you still have your original Guitar DI track, and you can repeat this

processtocreateadditionalre-ampedtrackswithdierentHelixsettings,add

plug-ins, blend with your original guitar track and more.

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Line 6 Helix Control Seite 58

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