Bedienungsanleitung Line 6 Pocket POD (Seite 16 von 32) (Englisch)

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control – fully left you’ve got big bottom 21st Century Clean, and fully right you’ve got

paint-peeling ultra-drive. Set it anywhere in between, and you get to have your cake and

smear it all over your audience, too.

“Line 6 INSANE”. Our goal here was to provide you with as much input gain distortion

as possible short of complete meltdown. You get ridiculous, rich tube drive to shame the

distortion of pretty much any amp on the planet while still retaining tonal deﬁnition and

character. As a result, you get lots of bottom end and cabinet character with tons of wide-

ranging tone shaping. Crank up the Drive control and take no prisoners!

“Tube Preamp”. Not even close to being a guitar amp, but once we got started, we just

couldn’t stop ourselves. The thinking went like this: ‘Once people get this Pocket POD,

it’s gonna be so great that they’re gonna wish they could use it for everything – warming

up keyboards, crunching up drums, fuzzing up vocals. We’ve gotta give ’em something to do

that!’ So we did. The Tube Preamp Amp Model lets you warm up any sound source the

way producers and engineers often do in the studio with vintage tube gear. For more “edge”

on vocals, try running your vocal tracks through Pocket POD. Or punch up (or munch up)

a synth bass track by sending it through Pocket POD and cranking up the Drive and EQ

controls to suit your taste. Although this is not actually a guitar amp model, you can even get

some great guitar tones out of it. Also try using it as a direct box for bass. When you do this

stuff, you want to use the Drive control like a mix knob on a reverb to control how much

processing you want to hear. You generally don’t want to mix the pre-Pocket POD sound

with the post-Pocket POD sound because of the comb ﬁltering that results. Instead, jack the

sound source right into Pocket POD and then only monitor it post-Pocket POD processing.

With the tone controls at 12 o’clock, the EQ is “ﬂat.”

“Jazz Clean”. Based on* the classic Roland

JC-120. This

transistor amp was known for a strident clean sound and built-

in stereo chorus. When using the Jazz Clean Amp Model, try

cranking up the Treble for a shimmering clean sound that’ll cut

through just about any mix. It’s also perfect for that 80’s “new

wave” sound. Alternatively, try backing off on the Treble and

turn up the Bass and Mid for a darker jazz tone. It’ll give you an

essentially ﬂat response, providing a balanced tone across the fret

* All product names are trademarks of their respective owners, which are in no way associated or afﬁliated with Line 6.

These product names, descriptions and images are provided for the sole purpose of identifying the speciﬁc products that were

studied during Line 6’s sound model development. ROLAND

is a registered trademark of Roland Corporation.

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Line 6 Pocket POD Seite 16

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