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BASIC
DOLBY
PROCESS
The
Dolby
system increases
the
level
of
low
volume
mid-
and high-
frequency
signals
during
recording and reduces the level
of
these signals by
an identical
amount
during
playback.
As a result,
the
playback
signal is identical
to
the original
source signal,
but
the
level
of
background noise
generated by
the
tape recorder is greatly reduced.
A
Dolbyized
FM broadcast is subjected
to
the
first
phase
of
the
noise
reduction
process
before
i'
being transm
itted.
When these signals pass
through
the
Dolby
playback
circuitry,
the
mid-
and high
frequency
noise is greatly reduced.
'.
The
Dolby
Noise
Reduction
System in the Model
5220
can be used
for
recording,
or
for
playing
back
Dolbyized
cassettes.
The
following
section
will
explain
how
to
operate
the
Dolby
Noise
Reduction
System in the
5220
to
process cassettes, FM broadcasts, and external
sources.
CASSETTES
The
Dolby
Noise
Reduction
circuit
in the Model
5220
is designed
for
maximum
convenience when
recording
or
playing
back a cassette.
The
calibra-
tion
levels have been
internally
preset at
the
factory,
so the
only
adjustment
to
make is
that
for
recording level.
The
procedure
for
Dolby
recording and
playback
is identical
to
that
for
non-Dolby
except
that
the
DO
LBY
N R ON pushswitch is depressed
after
the
recording levels are set.
DOLBY
FM
BROADCASTS
Dolbyized
FM broadcasts
contain
Dolbyized
audio
information
to
which
a special pre-emphasis
,
~
applied
for
the
purpose
of
improving
the noise
reduction
process.
The
pre-emphasis
time
constant
(25jJS) is
different
from
the
used
with
non-
Dolbyized
broadcasts.
To
properly
recover
the
original program material, a
complementary
time
constant
at
the
receiver is required. A 25
micro-
second FM de-emphasis
circuit
is
built
into
the
Marantz Model 112, 125, and
150
stereo FM
tuners and should be activated when recording
or
. listening
to
Dolby
FM broadcasts
through
your
Model
5220.
If
your
present
tuner
does
not
have
such a
circuit,
set
the
FM
DE-EMPHASIS
switch
on
the
rear panel
of
the
Model
5220
to
25jJS
to
activate
the
corrective
network.
I\IOTE:
If
you
are using
the
de-emphasis
circuit
built
into
the
tuner,
leave
the
FM DE-
EMPHASIS
switch
on
the
Model
5220
at
"F
LAT".
Do
not
use
both
de-emphasis
circuits
simultaneously.
To
listen
to
a
Dolbyized
FM broadcast, proceed
as
follows:
1. The
tuner
or receiver should be connected
to
the
LINE
INPUT
jacks.
2.
Apply
the
proper
de-emphasis as
outlined
above.
3. Depress
the
DOLBY
NR ON pushswitch.
4. Depress
the
DOLBY
FM-ON
pushswitch.
5.
The
Dolby
FM
calibration
levels have been
pre-adjusted at
the
factory
and should
not
normally
need
to
be readjusted when used
with
the
Marantz tuners and receivers equipped
with
"DOLBY
FM"
pushswitches. However,
when used
with
receivers
or
tuners
not
so
equipped, FM
calibration
will
be required.
For
this
purpose,
PLAY/FM
CAL
controls
are
provided
on the rear panel. The
controls
should
be adjusted so
that
the
Dolby
reference
tone
transmitted
by
the
FM
station
at
the
beginning
of
a
Dolby
broadcast registers DO on
the
VU
meters. Once
the
levels are set,
they
do
not
need
to
be readjusted unless a
different
tuner
or receiver is connected.
The
decoded
Dolby
FM program can be
monitord
through
the
amplifier
system.
If
you
are recording
a cassette at
the
same
time,
the
cassette
will
be
Dolby
encoded
to
obtain
the
maximum
effect
from
the noise
reduction
process.
NOTE:
When
the
DOLBY
FIVI-ON push
switch
is
depressed,
the
record
input
level
controls
(the
sliders) are bypassed. The recording
level is
determined
by
the
PLAY
/ FM
CA
L
controls.
When
the
controls
are set
properly
using
the
broadcast reference
tone,
the
levels
will
be
correct
for
Dolby
recording.
EXTERNAL
TAPE
RECORDER
The
Dolby
System in the Model
5220
can be used
as a
Dolby
decoder
for
an external tape deck
not
equipped
with
its
own
Dolby
circuits
in
the
same
manner as a decoder
for
Dolby
FM broadcasts.
Because
of
the
dissimilar
playback
level character-
istics
of
various tape recorders,
PLAY
/FM
CAL
controls
are
provided
on
the
Model
5220.
The
PLAY/FM
CAL
controls
determine
the
input
sensitivity
of
the
Dolby
circuit
when
playing
back
a
Dolbyized
program
from
the
external
unit.
The external tape recorder should be connected
12
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