Bedienungsanleitung Marshall AVT150X, 150HX, 275X (Seite 7 von 10) (Englisch)

442747

Zoom out

Zoom in

Vorherige Seite

1/10

Nächste Seite

150

1110

Suggested Settings AVT150X / AVT150HX & AVT275X Suggested Settings

On all the following suggested settings you will immediately notice how rich and authentic the sounds

are. As you will hear, even on clean settings Advanced Valvestate Technology adds those subtle

harmonics and that desirable compression which only a classic all-valve amp can normally deliver.

Bright Piezo Acoustic

‘Bright Piezo Acoustic’ closely simulates the sound of a piezo equipped semi-acoustic. This setting

works best with the neck pickup. Adding some Chorus/Room effect (Program 14) will give a 12 string

sound for folky strumming.

Mellow Jumbo

Engaging the Body Switch (4) and decreasing the Top control (3) will give a really full ‘Jumbo

Acoustic’ type sound. Add some Hall Reverb (Program 2) for atmospheric acoustic lead work.

Funky Clean

A really bright clean which still maintains mid definition. This is best used in conjunction with a single-

coil neck pick-up or the neck/bridge combination on a humbucker equipped guitar. Keeping the Gain

control low ensures a clean preamp signal and also helps feed extra treble through to the power

amplifier for additional brightness and cut.

Blues Clean

Here the preamp Gain is increased and what you start to hear is pure, harmonically rich break-up and

compression from the internal Marshall ECC83 preamp valve. Again the neck pick-up on a single coil

guitar or the neck/ bridge combination on a humbucker-loaded guitar will deliver the warmest tones.

Jazz Clean

A warm rounded clean ideal for ‘comping’ and walking bass progressions.

Brit Crunch

Here the advantage of the separate Gain and Volume controls really comes into play. Notice how the

Gain is quite low but the Volume is quite high. This is the way the old Marshall crunch sounds of the

late 60’s and 70’s were created - namely by keeping the preamp pretty clean and creating the desired

distortion by driving the power stage hard. With such a setting, when you back off the guitar's volume

or pick lighter, you will feel and hear how the rich, clear tone of the clean sound remains.

Funky Overdrive

For those who wish to get lost in a purple haze, back off OD1's Gain to give extra definition and

dynamics.

MV Crunch

This crunch is reminiscent of the first Marshall Master Volume amplifiers of the much heralded

JCM800 series. The Valve Drive Preamp is driven into mild saturation, creating a big, open overdrive

using the bridge position pick-up, whether single-coil or humbucker.

Screaming Lead

Here the Gain is cranked to the max and the mids are brought up to fatten the tone of the single

notes. With these settings the rich, natural harmonic overtones that the valve introduces will be very

apparent. Best with the bridge pickup.

Heavy, Modern Crunch

Cutting the Mids while heavily boosting the Gain, Treble and Bass gives an aggressive, modern ‘tear-

yer-face-off’, scooped sound. The bridge humbucker is the one to use here if you truly wanna ride the

lightning...definitely not for the faint-hearted!

ENGLISH

150

Bright Piezo Acoustic Mellow Jumbo Funky Clean Blues Clean Jazz Clean

Select

150

Select Select

Missbrauch melden von Frage und/oder Antwort

Libble nimmt den Missbrauch seiner Dienste sehr ernst. Wir setzen uns dafür ein, derartige Missbrauchsfälle gemäß den Gesetzen Ihres Heimatlandes zu behandeln. Wenn Sie eine Meldung übermitteln, überprüfen wir Ihre Informationen und ergreifen entsprechende Maßnahmen. Wir melden uns nur dann wieder bei Ihnen, wenn wir weitere Einzelheiten wissen müssen oder weitere Informationen für Sie haben.

Marshall AVT150X, 150HX, 275X Seite 7

Brauchen Sie Hilfe? Stellen Sie Ihre Frage.

Missbrauch melden von Frage und/oder Antwort

Art des Missbrauchs:

Forenregeln

Neu registrieren

Das Handbuch wird per E-Mail gesendet. Überprüfen Sie ihre E-Mail.

Ihre Frage wurde zu diesem Forum hinzugefügt

Info