Bedienungsanleitung Marshall MB60, 150, 450H, 4410, 4210 (Seite 3 von 5) (Englisch)

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ENGLISH

MB60 & MB150 Front Panel Features

MB450H, MB4210 & MB4410 Front Panel Features

1. INPUT Jack Socket

Jack input for your bass guitar. Use a good quality

guitar cable (i.e. one that’s screened/shielded) to

help prevent noise, interference and unwanted

feedback.

2. ACTIVE / PASSIVE Switch

This push switch allows you to change between

Active and Passive instruments. The gain is

reduced 6dB when in ‘Active’position.

MODERN CHANNEL

The Modern channel hits those super crystal clean

notes when clarity is a must.

3. VOLUME Control - Modern Channel

This control adjusts the volume of the Modern

Channel.

4. BASS Control

Turning the Bass control will affect the amount of

low frequencies or bottom end in your bass guitar

tone. Rotating this clockwise will increase the

amount of lower tones generally making your bass

sound deeper. Turning this control anti-clockwise

will reduce the bass frequencies in your tone

producing a reduction in bottom end thud.

5. MID FREQUENCY Control

Constitutes a semi-parametric equalizer together

with the Middle control. It adjusts the centre

frequency where the Middle control takes affect.

6. MIDDLE Control

The middle frequencies tend to effect the fatness or

body of the tone. The frequency of the middle band

is adjusted by means of the Mid Freq control.

Usually this control will be used to remove mids

rather than increase them making the bass sound

rounder and fuller. Increasing the mids usually

makes the bass sound ‘boxy’.

7. TREBLE Control

By adjusting the Treble control you can add or take

away the higher frequencies in your bass tone. By

increasing the amount of treble you will make your

tone brighter, ideal for more percussive playing

styles.

8. COMPRESSOR Switch & LED

This switch turns the Compressor control on and

off. When the switch is ‘in’the Compressor control

is active and the LED will be illuminated green.

9. COMPRESSOR Control

The Compressor smoothes out your bass sound.

As you increase the amount of compression, so

you flatten out the peaks in the incoming signal.

When the compression reaches its threshold the

LED will change to red.

10. MODERN / CLASSIC Switch

This push switch allows you to change between the

amp’s two channels, Modern and Classic, via the

front panel. When this switch is ‘out’the Modern

Channel is engaged and the LED is green. Pushing

it ‘in’switches to the Classic Channel and the LED

changes to red.

CLASSIC CHANNEL

The Classic channel presents gain worthy of the

greatest rock bass player and heavy tone that is

expected from a Marshall amp.

11. GAIN Control

This control sets the operating level of pre-amp. If

you require a clean bass sound turn this control up

until your bass just starts to distort and then back it

off slightly. If on the other hand you would like a

distorted sound, simply turn up the Gain control

and drive the ECC83 valve until the required

amount of distortion is achieved creating the warm

Marshall tone.

12. BOOST Switch

The Boost switch increases the gain of the classic

channel. When the switch is engaged the whole

channel gain is raised making it much easier to get

an overdriven sound.

13. VOLUME Control - Classic Channel

This control adjusts the volume of the Classic

Channel.

14. BASS Control

Turning the Bass control will affect the amount of

low frequencies or bottom end in your bass guitar

tone. Rotating this clockwise will increase the

amount of lower tones generally making your bass

sound deeper. Turning this control anti-clockwise

will reduce the bass frequencies in your tone

producing a reduction in bottom end thud.

15. VOICE SHIFT Control

This 3 position control adjusts the overall tonal

voicing of the amplifier.

Position 1 tailors the response of the amplifier for

smooth low end, restrained lower mids, and mild

high end lift, to give the classic vintage valve bass

tone.

In position 2 the lower mid is made more prominent

whilst simultaneously the upper mids are subtly

scooped to give a more aggressive, growling

quality to the amplifier's tone.

Position 3 introduces a gentle overall mid boost for

an immediate, cutting, ‘in your face’tone with the

mids scooped even further to give an immediate,

cutting sound.

16. VOICE Control

This control adjusts the response selected by the

Voice Shift control.

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ENGLISH

MB60_150_450 hbk aw 1/3/07 12:05 pm Page 2

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