Bedienungsanleitung Marshall Valvestate 1 (Seite 4 von 9) (Englisch)

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GETTING THE BEST FROM YOUR VALVESTATE

AMPLIFIER

There may be some features of your Valvestate

amplifier with which you are not familiar. The following

terms are explained in order to help you to get the full benefit of these incredibly versatile facilities on those

models to which they apply.

GAIN

This is really just another term for input volume. On controls that have increased drive capacity, the more you

increase the gain, the greater the intensity of distortion. The Valvestate

boost channels have an abundance

of gain and will give you countless overdrive variations. By playing with the positions of the gain and contour

controls combined, you will discover the many different textures of Valvestate

overdrive.

CONTOUR

Our special mid band shift contour control changes the voicing of the boost channel to give you the maximum

amount of variation on overdrive selections. It works on the frequencies that are most effective for guitar and

gives unlimited potential to your distortion tones. As with the EQ controls, playing experience will show the

optimum settings for your sound.

CRUNCH

A term used to describe semi-distorted sounds often used for rock rhythm or blues lead playing. Crunch is

achieved by turning the normal channel gain to maximum or just below. Valvestate

models have extra gain

built into their normal channels to give you plenty of crunch (models 8080, 8240, 8100, 8280 & 8200 also

have a switchable crunch selection). Turning down the guitar volume brings the sound back to clean.

Short for equalisation which describes the tone control combination. The Treble, Middle, Bass and Presence

controls are extremely effective in your Valvestate

amp and the only way to really get to know their full

range is to play with them.

EFFECTS SEND & RETURN

When linking external effects processors, some of the best results can be achieved by using the effects loop.

The Send jack sends the signal from the amp to the input of the effects unit. This then returns from the units'

output into the Effects Return jack. The loop comes in after the amps' distortion circuitry so is best suited to

effects units such as chorus and delay where extra colouration of the effect is not required. Effects such as

distortion and compression are more suited to the amp input where sound colouration will follow. A level

switch allows the loop to operate at high (0dB) signal levels for rack processors, or low (-20dB) levels for

floor pedals.

PRE-AMP OUTPUT

This socket gives a signal direct from the amplifiers' pre-amp section which can be used either as an effects

send, or as a means of driving an external power amp system.

POWER AMP INPUT

If you own a separate pre-amp, this socket gives you direct access to the Valvestate

power stage, without

involving the combo pre-amp. It can also act as an effects return.

LINE OUTPUT

The low level signal from this socket is specially filtered to enable you to link directly into recording or PA

mixing equipment and to still achieve the Valvestate

guitar sound. The 8240, 8280 & 8200 have left and

right Line Outputs operating in stereo.

POWER STAGE

This refers to the part of the amplifier that delivers the signal from the pre-amp control section and amplifies it

in order to drive the loudspeaker. In your Valvestate

unit this is the part that is so unique and will really

make your guitar sounds simply the best!

STEREO CHORUS

Chorus is one of the sweetest guitar effects. The 8240, 8280 and 8200 bring you stereo chorus through twin

Valvestate

power stages for a panoramic spread and superb chorus depth.

VALVESTATE HANDBOOK ART english 1/11/04 10:23 am Page 4

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