Bedienungsanleitung Midas PRO3 (Seite 49 von 666) (Englisch)

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Key features 9

PRO Series Live Audio Systems

Owner’s Manual

I/O unit(s) are dependent on system type. The PRO Series Control Centre and rack

units are interconnected by a networked data system, which carries both proprietary

control data and open architecture AES50 digital audio, and uses readily available

standard cabling and connectors. The PRO Series uses a proven stable Linux operating

system. All of the control centre’s internal and network routing (“patching”) is

managed via the graphical user interface (GUI).

You can assign up to 36 1/3 octave KT DN370 graphic EQs, which can be controlled via

an optional KT DN9331 Rapide. There are four type of compression on the inputs and

five on the outputs.

The PRO Series have easy-to-use routing/patching, redundant power supplies and a

modular FPGA processing engine with n+1 redundant module. The DSP engines of the

PRO3 and PRO6 can be upgraded to the PRO9 specification. The audio transport

system is international AES50 standard. Component hardware connections support

redundant cables for copper (option of fibre-optic for PRO6 and PRO9). Each control

centre has dual redundant Linux master controllers (MCs), either of which can run the

entire system on their own, and they are switchable without loss of audio.

The PRO Series Live Audio System is tolerant of many types of hardware or software

failure. To achieve this the system employs dual redundancy, where a key component

has an identical redundant spare that is ready to take over should it fail. Other failure

scenarios are managed by the N+1 principle, where redundant components form an

acceptable fraction of the system.

The Klark Teknik DN9696 Recorder can be used with the PRO Series Live Audio Systems

for live multi-track recording and ‘virtual’ sound check. Optional I/O equipment

includes the XL8’s DL451 Modular I/O and DL431 Mic Splitter, and the DL251 Audio

System I/O and DL351 Modular I/O. Other optional equipment includes the Klark

Teknik DN9331 Rapide Graphic Controller for remote GEQ operation.

Key features

Please remember, each PRO Series is not just a console, it’s a LIVE AUDIO SYSTEM!

• High channel count — up to 80 mixed primary inputs (sourced from up to 288

input locations) and up to 35 output channels.

• Control centre — Small and very compact with an exciting but familiar and

ergonomic control surface, enhanced by a two-screen GUI.

• Performance — Reduced price, scale and features, but still with XL8 audio

performance.

• Operation — Easy to use with responsive interpolated controls and fast, intuitive

human interfaces that combine to produce that familiar analogue feel.

• User interface (speed and feel) — VCA groups (console comes to you!); POP

groups (console comes to you!); muscle memory (E-zone and D-zone on channel

strips, which have paged controls that do not change function); input and output

fast zones; electronic colour coding; and dedicated motorised master output

faders.

• User interface (status visibility) — Dual daylight-visible screens and integral

surface illumination; metering (23 discrete 20-segment LED meters), discrete

metering for dynamics, and all meters all of the time; “ST” assign switch; and

eight channels of key data plus a single channel strip on both GUI screens.

• Traditional Midas and Klark Teknik audio quality:

• Headroom — High headroom, which is well behaved, even when pushed a little

too hard.

• Mic amps — High quality, overload tolerant microphone amplifier per input.

• Dynamics — High quality dynamic processing with traditional analogue

artefacts. Midas dynamics has four styles on the inputs and five on the outputs.

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Midas PRO3 Seite 49

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