Bedienungsanleitung NAD M 2 (Seite 8 von 14) (Englisch)

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1 BALANCED: Connect XLR audio source to these connectors. Ensure

that proper pin congurations are followed – Pin 1: Ground, Pin 2:

Positive (signal live) and Pin 3: Negative (signal return).

2 SINGLE-ENDED: Use a twin RCA-to-RCA lead to connect to these

sockets the left and right analog output of a CD player, preamplier or

processor.

3 DIGITAL AUDIO (COAX 1-2): Connect to the corresponding coaxial S/

PDIF-format digital output of sources such as SACD/CD players, HDTV or

satellite tuners and other components.

DIGITAL AUDIO OUT (COAXIAL OUT): Connect COAXIAL OUT to the

corresponding S/PDIF digital input of compatible devices such as CD

recorders, receivers, computer soundcard or other digital processors.

4 DIGITAL AUDIO (OPTICAL 1-2): Connect to the corresponding optical

S/PDIF-format digital output of sources such as SACD/CD players, HDTV

or satellite tuners and other components.

IMPORTANT NOTICE

For high-end sources with higher sampling rates like 176kHz and

192kHz, it is highly recommended that such sources be interfaced

with the AES/EBU IN connector. The AES/EBU IN is well suited to handle

sources with ultra-high sampling rates.

5 DIGITAL AUDIO OPTICAL LOOP (OPTICAL LOOP OUT, OPTICAL

LOOP IN): Connect OPTICAL LOOP OUT to the corresponding S/PDIF

digital input of compatible devices such as CD recorders, receivers,

computer soundcard or other digital processors. This OPTICAL LOOP

OUT terminal is the same digital output that can be fed to a Mac or

processor where the signal can be subjected to a wide library of third

party crossover lters, equalization or room correction programs.

The processed signal from the Mac or processor is then sent out

through their corresponding Optical Out port into M2’s OPTICAL LOOP

IN thereby completing the signal loop path.

Refer also to the item above about “LOOP (DIGITAL PROCESSOR LOOP)”

under IDENTIFICATION OF CONTROLS – FRONT PANEL.

6 AES/EBU IN: Digital audio stream from professional audio sources like

SACD/CD Players or processors can be connected to this XLR connector.

For high-end sources with higher sampling rates like 176kHz and

192kHz, it is highly recommended that such sources be interfaced with

the AES/EBU IN connector. The AES/EBU IN is well suited to handle such

sources with high sampling rate.

7 DIGITAL SOFT CLIPPING™: Enables NAD’s proprietary Soft Clipping

circuitry on all channels. At ON position, Soft Clipping gently limits the

output of the M2 to minimize audible distortion should the amplier be

over-driven. Soft Clipping may simply be left ON at all times to reduce

the likelihood of audible distortion from excessive volume settings.

However, for critical listening and to preserve optimum dynamics, you

may wish to defeat it by setting this switch to “OFF” position.

8 OFF/AUTO TRIGGER SWITCH: When at AUTO position, the front panel

STANDBY button is disabled and M2 remote control’s [ON/OFF] button

non-functional. At this condition, the M2 can only be switched ON from

standby mode or back to standby mode when +12V DC is applied or

cut o at the +12V TRIGGER IN jack. Slide the OFF/AUTO switch to OFF

setting for the M2 to be normally switched ON (or back to standby

mode) using the front panel STANDBY button or M2 remote control’s

[ON/OFF] button.

NOTE

The rear panel POWER switch must be set to ON position for the

STANDBY button to activate. Switch the rear panel POWER switch to ON

position in order to make use of the +12V TRIGGER IN and OFF/AUTO

TRIGGER SWITCH features as well as the front panel STANDBY button.

IDENTIFICATION OF CONTROLS

REAR PANEL

16 17

1 875 6432 9 10 11 12 13 14 15

ATTENTION!

Please make sure that the M2 is powered OFF or unplugged before making any connections. It is also advisable to power-down or unplug all associated

components while making or breaking any signal or AC power connections.

ENGLISH FRANÇAIS ESPAÑOL ITALIANO DEUTSCH NEDERLANDS SVENSKA РУССКИЙ

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