Bedienungsanleitung Native Super 8 (Seite 17 von 30) (Englisch)

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(10) SHAPE Modulation Source: Select the modulation source for the Shape Modulation Amount

Controls (9). Modulation sources include MOD 1, MOD 2, F. ENV (Filter Envelope).

(11) Semi: Adjusts the pitch of Oscillator 1 in a range of -48 to +48 semitones.

(12) Fine: Adjusts the pitch of Oscillator 1 in the range of -50 to +50 cents.

(13) Sub/Noise Switch: Select between sub-oscillator or white noise for Oscillator 1.

(14) Mix: Adjusts the volume balance between Oscillator 1 and Oscillator 2. In the far left position,

only Oscillator 1 can be heard, in the far right position, only Oscillator 2 can be heard. When Mix is

centered there is a perfect balance between both oscillators.

(15) Sync: Forces Oscillator 2 to be hard synced to Oscillator 1. Try increasing the pitch of Oscilla-

tor 2 when hard sync is engaged, for a classic sync effect.

(16) FM (Frequency Modulation): Modulates the frequency of Oscillator 1 using the output of Oscil-

lator 2 as a modulation source. FM produces more harmonically rich waveforms. Experiment with

the pitch of the Oscillators to create non-tonal, metallic sounds and bell-like sounds.

(17) Semi: Adjusts the pitch of Oscillator 2 in a range of -48 to +48 semitones.

(18) Fine: Adjusts the pitch of Oscillator 2 in the range of -50 to +50 cents.

(19) Sub/White Noise Switch: Select between sub-oscillator or white noise for Oscillator 2.

(20) Keytracking On/Off: Turns keytracking on and off for Oscillator 2. When turned off, a fre-

quency value can be set in hertz.

(21) Sine Level: Adjusts the level of the sine waveform for Oscillator 2.

(22) Sawtooth Level: Adjusts the level of the sawtooth waveform for Oscillator 2.

(23) Pulse Level: Adjusts the level of the pulse waveform for Oscillator 2.

(24) Sub/Noise Level: Adjusts the level of the sub-oscillator or white noise for Oscillator 2, de-

pending on which one is selected using the Sub/Noise Switch (19).

(25) Sine Shape: Adds a second Sine wave at an octave higher than the fundamental frequency.

Turn the knob to the right to add this extra Sine.

(26) Saw Shape: Morphs the waveform from a triangle (left) to a sawtooth (middle), to a PWM

sawtooth (right). Double click to set to a pure sawtooth wave.

(27) Pulse Shape: Controls the pulse width of the pulse waveform. Double click to set to a pure

square wave.

(28) Sub Shape: Controls the pulse width of the Sub waveform. Double click to set to a pure

square wave.

(29) Shape Modulation Source: Select the modulation source for the Shape Modulation Amount

controls (30). Modulation sources include MOD 1, MOD 2 F. ENV (Filter Envelope).

(30) Shape Modulation Amount: Applies modulation from the selected Shape Modulation Source

(29) to the waveform above.

5.3. Filter

The Filter takes the basic, raw sound of the oscillators and noise generator and subtracts frequen-

cies, changing the tone of the sound. This change can be varied over time using the Filter Enve-

lope or modulated using the modulators (MOD 1 & 2) to produce more dynamic animated timbres.

Overview of SUPER 8

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Native Super 8 Seite 17

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