Bedienungsanleitung Panasonic AJ-SPC 700P (Seite 15 von 124) (Englisch)

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Chapter 2 Parts and their Functions (continued)

OUTPUT/AUTO KNEE selector switch

Used to select the video signals sent from the camera

unit to the memory, viewfinder and video monitor.

CAM. AUTO KNEE ON:

Video being recorded through the camera is sent with

the auto knee circuit activated.

CAM. AUTO KNEE OFF:

Video being recorded through the camera is sent in

manual knee mode.

BARS:

Color bar signal is output. The auto knee circuit does

not work.

You can select between four types of color bar signal.

For more information, see [8-5-5 SW MODE].

WHITE BAL (white balance memory selector)

switch

Used to select the white balance adjustment method.

PRST: Use this when you have no time to adjust the

white balance.

The value for the white balance is factory-set

to 3200 K.

It can be changed to any color temperature

using a menu option. For more information,

see [4-9-5 Setting Color Temperature

Manually].

A or B: Pressing the AUTO W/B BAL Switch

toward [AWB] automatically adjusts the white

balance, saving the adjusted value in Memory

A or B. For more information, see [4-1-1

Adjusting the White Balance].

Your video camera-recorder is factory-set to save the

adjusted value. Through a menu option, the auto-

tracking white balance (ATW) can be assigned to B, or

desired color temperatures can be assigned to A and B.

For more information, see [4-1-1 Adjusting the White

Balance].

MODE CHECK button

Each press of this button changes the screen type in the

viewfinder in the following order: STATUS, !LED,

FUNCTION, AUDIO.

This does not affect the signal output from the camera.

MARKER SELECT button

This button selects the marker information indicated on

the viewfinder screen. It switches between two marker

information indications, which can be selected using a

menu option. Pressing this button once switches the

indicated marker information from A (Marker A) to B

(Marker B), and pressing again switches B to OFF (no

marker). When the power is turned on, the last selected

indication before power-down appears.

For more information, see [4-7-6 Marker Check Screen

Displays (MARKER SELECT button function)].

SYNCHRO SCAN ADJUSTMENT buttons

These buttons are enabled when the shutter switch is

positioned at [ON] and synchro scan is selected.

They are used to adjust the speed of the synchro scan.

The – button decreases shutter speed; the + button

increases shutter speed.

If you shoot a PC monitor, for example, you should

adjust shutter speed so that the horizontal bars in the

viewfinder will produce less noise.

/ Shooting and Recording/Playback Function

Section (recording)

REC START/STOP button

Pressing this button starts recording, pressing again

stops recording.

This button has the same function as the REC

button on the handle and the VTR button at the lens.

SHOT MARK button

Pressing this button while recording adds a shot mark to

the thumbnail of that clip. This button also adds a shot

mark to any thumbnail selected on the LCD monitor.

For more information on shot marks, see [3-9 Shot Mark

Function].

SAVE ON/OFF switch

Used to select the power supply method for each output

section.

ON: The output selected through the menu option

SAVE SW is power-saved. This option can be

found on the OPTION MODE screen on the

SYSTEM SETTING page.

OFF: Power saving is canceled.

<Note>

During recording, this switch produces no effect. The

power supply method is switched after recording is

finished.

VIDEO OUT CHARACTER switch

This switch controls the superimposition of characters

onto the video output from the VIDEO OUT connector.

ON: Characters are superimposed.

OFF: Characters are not superimposed.

For types of characters, see [4-9-2 Selecting Video

Output Signals].

Auto Knee function

Usually, when you adjust levels to shoot people or scenery against

a strongly lit background, the background will be totally whited-

out, with buildings and other objects blurred. In this case, the auto

knee function reproduces the background clearly. This function is

effective when:

• The subject is a person positioned in the shade under a clear

sky.

• The subject is a person inside a car or building, and you also

want to capture the background visible through a window.

• The subject is a high-contrast scene.

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