40
RQT 9184
(ENG )
Glo s sa r y
A VCHD
A V CHD is a new f or mat (standard) for high definition video came ras
tha t c an b e us ed to re co rd an d play h ig h-r e solu ti on H D i ma ges.
BD-J
Som e BD- Vi de o di sc s co nt ain Java ap p lic at io ns, and th es e
app li ca t ions ar e ca lled BD- J . Y o u c an e nj o y va riou s i nter activ e
f e at ure s in ad di tion to pl ay in g no rma l vide o .
BD-Live
Th is is a B D- Vid eo (BD- RO M v er si o n 2 Pr ofil e 2) th at sup po r ts t he
new f uncti ons suc h as In tern et con ne ctio n, etc. in addi tion to the
BONUSVI EW f unctio n.
Bitstream
Th is is t h e dig it a l f orm of mul ti -ch an ne l a ud io da ta (e . g. , 5. 1 c ha nne l)
before i t i s deco de d int o its var io us c h an ne ls.
BO NU S V I EW (Fi n a l Sta nd a r d Pr of ile )
Th is is a B D- Vid eo (BD -RO M versi o n 2 P rof il e 1 v er si on 1.1) t hat
supp or ts the n ew fu ncti ons suc h as Pic ture -in -pi cture, Seco ndar y
A u di o , a nd Vi rtua l P a c ka ge , et c.
DivX
Div X i s a p op ula r me dia tec h no lo gy cr ea te d by D i vX, In c. D ivX
medi a fi les con ta in hi gh ly com pr es sed vi de o w ith h igh vis u al qu al ity
that m a intai ns a r ela tive ly s mall fi le size.
DNS Server
A s erv er whi ch ac ts li ke a t e le phone d ire ct ory and t ra nsl at es Int e rnet
dom ai n na mes in t o IP ad dre sse s .
Dolby Digital
Thi s is a m eth od of cod in g di git al sig na ls devel oped by Dol by
Lab or atorie s . Ap art from s ter eo (2- chan ne l) a ud io , thes e si gn al s c an
al so b e mu lti - ch annel au di o .
Dolby Digital Pl us
M ult i-ch an ne l a ud io an d h ig her au di o qua li t y is ma de po ssi bl e u si ng
Dol by Di gi tal Pl us . B D- Vid eo sup po r t s up to 7 .1 chan ne l o u tpu t.
Dolby T rueHD
Do lb y T rueH D is a v e r y high qu al it y aud io f orma t t hat r epro du ce s t he
stu d io ma s ter au di o. B D-V ideo s up p or t s up to 7. 1 ch an ne l ou tpu t.
Do wn-mixing
Thi s is the pr o ces s of rem ix in g th e mult i-c han ne l aud io f oun d on
s ome di scs in to fe w er chan ne ls .
DTS ( Digit al The ate r Sy st em s)
Th is sur rou nd syste m i s us ed in man y mo v ie thea te rs . T her e i s good
sepa r ati on bet we en th e c han ne ls, so re al is ti c s oun d e ffec ts are
po ssibl e.
DTS-HD
DT S- HD is a hig h-q ua li t y , so phi sti ca te d audi o f ormat us ed in mov ie
th ea te rs . Pr e v ious D T S Digi t al Sur roun d- comp at i b le eq ui pme nt ca n
play D TS- HD a s D T S Dig ita l Su r ro und a ud io. BD -V ideo su pp or ts up
to 7. 1 ch anne l ou t pu t.
Dynamic ra nge
Dy na mi c ran ge is the di ff e ren ce b et we en the lo we st le v e l of so un d
th at ca n be he ar d abo v e t he no is e of t he eq uipme nt a nd th e hi g hes t
level o f soun d be fore d is to r ti on o cc urs .
Dy na mi c ran ge com pres si on m eans r e duc ing t he ga p be tw een t he
loud es t a nd s of tes t so un ds. Th is me ans yo u ca n lis te n at low
v ol ume s b ut st i ll he ar dial og cl earl y .
Film a nd vi deo
D VD-V i de o are reco r de d usin g ei t he r fi lm o r vid eo . This uni t can
det e rmine w h ic h type ha s be en u sed, th en u ses the mo st suit ab le
me th od of pr ogre ssi ve o ut pu t.
Fi lm : R e cor ded at 24 fr am es per se co nd. (R ecor de d a t 30
fr a mes per se co nd a s we ll ). Ge ne ral l y ap prop ri ate f o r
mot io n pict ur e fi l ms .
Vi de o: Re cord ed at 3 0 fr am es /60 f ie lds per sec on d. G ener a lly
appr opr i ate fo r T V d ram a pro gram s or anim at io n.
Fr a mes an d fi el d s
F rames re fer to the s ingl e im ag es th at c on stitu te th e v ide o you see
on y o ur tel e vi sion . Each f ra me co ns is ts of two fi el ds.
≥A fram e st ill s how s t wo fi el ds, so t he re m ay be s ome blur r ing , bu t
pict ur e qu al it y is gene r all y be tt e r .
≥A fi el d st ill sh ow s le ss pi c ture infor m at io n so it m ay be ro ug he r , but
th er e i s no blu rri ng .
Ga te wa y
IP ad dre ss of the ele ct ron ic de v ic e pro v id in g Int ernet ac ce ss .
Us ua ll y call ed a r out er IP ad dre ss . (e. g. , 19 2. 16 8.0. 1 )
HDMI (Hig h-D efini tion M ult imedi a I nte rfac e)
HDM I i s a di g ital in ter f ace f o r con su mer ele ct roni c p r oduct s . Unli k e
c onv enti onal con ne cti on s, it t ran smi t s unco mpr esse d d ig ital vi de o
and au di o si gnal s on a si ng le cab le.
Hub
Us ed fo r c onn ec tin g mo re th an on e de vi ce t o the ne tw ork .
IP addr ess
A s et of numb er s w h ich di st in gu ish e a ch dev ice on th e n et wor k
whe n, for exam pl e, c onne ct ed to the In ter n et . Wh en usin g a PC in a
LAN t o acc ess a P C or d e vic e tha t i s not i nclu ded in t he LA N, th e IP
add r es s is cal led t he loc al IP ad dre ss . (e. g. , 19 2. 16 8.0 .1 0)
JPEG (Joint Pho togra phic Exp er ts Group)
Thi s is a syste m use d f o r compr e ssing / de codin g col o r stil l pictur es . If
y ou s el ect JPE G as the st o rag e s yst em on dig i tal c ame r as, et c., t he
dat a wil l b e co mpr e ssed t o 1 /1 0– 1/1 00 o f i ts or ig inal s ize. Th e
bene fit of J PE G i s les s d ete ri or at ion in pi ct ure q ua lit y cons id er in g
the degr ee of c om pre s sion .
LAN (Local Area Network)
A g rou p of li nk ed d e vi ce s in a co mpan y , scho ol or ho me.
Ind ica tes th e bo unda r ies o f a p ar ticu lar ne tw or k.
Loc al st orag e
Thi s s to rag e a rea i s us ed as a d est ina ti o n f or sub con t en ts f o r
playin g v i r tu al pa ckag es o n B D- Vid eo.
LPCM (L ine ar PCM)
Th ese a r e a ki nd o f PC M f or mat .
Th ese a r e un c om pre s sed di git al s ig nal s, simi la r t o t hos e foun d on
CDs.
MP 3 (M PE G Aud io Layer 3)
An au di o comp r ess io n me th od that co m pre ss e s audi o to
app r ox ima t el y one t en th of it s si ze w ith ou t a ny sign if ic an t los s of
audi o q ua li ty .
P an&Sc an/Letterbox
In gene r al, D VD-V ide o are pr od uc ed wi th the i nte nt ion t ha t t hey be
viewe d on a wides cr ee n tel evisi on ( 16 :9 aspe c t rat io) , so imag es
of te n do n’t fi t re gula r (4: 3 as pec t r at io) tele visi on s. T wo st yle s of
pict ur e, “Pan & S can” and “ Let ter box” , d ea l wi th th is pr oble m.
Pan&S can :T he si de s are c ut of f s o the pi ctur e f ills
th e scr e en.
Let t erb o x: Bla c k ba nds ap pe ar at t he top an d
bot to m of t he pic tur e so the pi ct ur e it sel f
appe ar s in a n aspe ct rat i o of 16:9 .
PCM ( Pulse Co de Modu lati on)
Thi s i s on e f or m at f o r con v e rting an al og aud io in to di gi tal aud io ,
enabli ng yo u t o en joy dig it al au di o w ith no h ass le.
Pi ctu r e-i n- pict u re
Thi s i s a n e w fu ncti on of BD-V id eo that pl ay s th e p rim ary vid eo and
s ec ondary vid eo sim ult an eo us ly . F or i ns ta nc e , the fu ncti on is
c apab l e o f pla ying t he orig in al movi e as th e prim ary vi d eo wh il e
pl a yin g v i de o co mm e nta r y fro m th e f ilm d ir e ctor on a sm a ll scr e en
as a se co nd ary vid eo .
Pr og re ss iv e/I nt er lac e
The vi deo signa l sta ndar d of N TSC ha s 48 0 i nter lace d ( i) sca n l ines ,
wh ere as p rog r es si ve ( p) sc an ni ng use s twi ce the n um ber o f sc an
lines , a nd th is is r eferre d t o a s 48 0p. Us in g pro gre ss ive ou tp ut , yo u
ca n enjoy wa tch in g hi gh re so lu tio n vi de o .
Rout er
Di sti ng ui she s the IP ad dr ess as si gn ed to eac h de vice, suc h as th e
PC, and re lays t he flow of d ata w ithi n the n etwo rk.
Sampl ing freq uency
Sam p ling is the pr o ces s of co nver t in g the heig ht s of so un d wave
(a na lo g si gn al ) sam pl es t ak en a t s et p er iods i n to di gi ts (d ig i tal
enc od in g). Samp li ng fre que nc y is the n um ber o f sa mp les ta k en per
s econd , s o lar ge r nu mb ers me an m ore f a it hfu l r epr od ucti on o f t h e
or ig inal so un d .
Sub net ma sk
Ena ble s eff ic ient net wor k us e. A set of numb er s wh ic h i dent if y wh ic h
part of th e IP ad dre ss a ll oc ated to ev e ry de vi ce co nn ec ted t o t he
rou te r is t he ne tw or k por tio n.
Vir t ua l p ack age
Som e BD- V ide o di scs copy da ta to oth e r med ia (loc al st orag e) and
th en pla y t he seco nd ary vid eo , secon da ry audi o , and su bt i tle s (s ub
cont en ts ) simu lt an eo us ly .
The se fu nc tion s ar e cal l ed v irtual pa c ka ges.
Su b co nten t s ar e aut om at ical ly re cor de d to ot he r med ia fro m th e
Int er n et or di sc pr i or t o play ing t he v ir t ua l p ack age. T he p layb ack
m etho ds v ary depe nd in g o n disc s.
1080 i ( 1 125i )
In one hi gh defi n iti on i ma ge , 10 80 ( 1125) a lte rna ting sc an l i nes pass
to cr ea te an i nt erla ce d i mag e . Bec au se 1080i (1 12 5i) more th an
double s c urre nt te levi si on b roa dc asts o f 4 80 i, th e d et ai l i s muc h
cl ear er an d cre at es a m ore r eal is tic a nd r ic h im ag e.
Fra me Fiel d Fie ld
DMP-BD50PP-RQT9184_en g.book 40 ページ 2008年4月4 日 金曜日 午後8時14 分