Bedienungsanleitung Pioneer SC-1223 (Seite 65 von 119) (Englisch)

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Using other functions

Setting the Audio options

There are a number of additional sound settings you can make using the AUDIO PARAMETER menu. The

defaults, if not stated, are listed in bold.

Important

! Note that if a setting doesn’t appear in the AUDIO PARAMETER menu, it is unavailable due to the current

source, settings and status of the receiver.

1 Press to the receiver operation mode, then press AUDIO PARAMETER.

2 Use i/j to select the setting you want to adjust.

Depending on the current status/mode of the receiver, certain options may not be able to be selected. Check the

table below for notes on this.

3 Use k/l to set as necessary.

See the table below for the options available for each setting.

4 Press RETURN to confirm and exit the menu.

Audio parameter menu

Setting What it does Option(s)

MCACC

(MCACC preset)

Selects your favorite MCACC preset memory when multiple preset

memories are saved. When an MCACC preset memory has been

renamed, the given name is displayed.

c M1. MEMORY 1 to

M6. MEMORY 6 d

Default:

M1. MEMORY 1

(Acoustic Calibration EQ)

Switches on/off the effects of EQ Pro.

OFF

S-WAVE

(Standing Wave)

Switches on/off the effects of Standing Wave Control.

OFF

Phase C+

(Phase Control Plus)

For discs created with standards other than Phase Control, the LFE

channel is delayed upon recording in the first place. This function

corrects for phase shifting on such discs.

This function is particularly effective when playing multi-channel

music containing low frequency effects (LFE).

When AUTO is selected, not only the low range delay but also the

polarity and correlation are detected to achieve the optimum effect.

c AUTO/0 to 16 (ms) d

Default: AUTO

DELAY

(Sound Delay)

Some monitors have a slight delay when showing video, so the

soundtrack will be slightly out of sync with the picture. By adding a

bit of delay, you can adjust the sound to match the presentation of

the video.

c 0 to 800 (ms) d

Default: 0

TONE

(Tone Control)

Applies the treble and bass tone controls to a source, or bypasses

them completely.

BYPASS

BASS

<a>

Adjusts the amount of bass.

c –6 to +6 (dB) d

Default: 0 (dB)

TREBLE

<a>

Adjusts the amount of treble.

c –6 to +6 (dB) d

Default: 0 (dB)

Setting What it does Option(s)

S.RTRV

(Auto Sound Retriever)

<b>

With the Auto Sound Retriever function, DSP processing is used to

compensate for the loss of audio data upon compression, improving

the sound’s sense of density and modulation.

Also, when a player supporting the Sound Retriever Link function is

connected to the receiver by HDMI, by setting this to ON, the bitrate

information of the compressed audio file being played on the player

is acquired using the Control with HDMI function, and the sound is

optimized based on this information (Sound Retriever Link).

OFF

DNR

(Digital Noise Reduction)

May improve the quality of sound in a noisy source (for example, video

tape with lots of background noise) when switched on.

This only has an effect with 2-channel signal inputs.

This mode is effective for contents with a sampling frequency of 48

kHz or less.

OFF

DIALOG E

(Dialog Enhancement)

<c>

Localizes dialog in the center channel to make it stand out from other

background sounds in a TV or movie soundtrack. By moving from UP1

through UP2 and UP3 up to UP4, you can make the sound source

seem to relocate upwards.

c OFF/FLAT/UP1/UP2/

UP3/UP4 d

Default: OFF

Hi-bit24

Creates a wider dynamic range with digital sources like CDs, DVDs or

BDs. 16- and 20-bit PCM as well as compressed audio is requantized

to 24 bits, more subtle musical expression.

This mode is effective for contents with a sampling frequency of 48

kHz or less.

OFF

PQLS

(Precision Quartz Lock

System)

Switches the PQLS function between AUTO and OFF (Setting the

PQLS function on page 62).

AUTO

OFF

DUAL

(Dual Mono)

Specifies how dual mono encoded Dolby Digital soundtracks should

be played. Dual mono is not widely used, but is sometimes necessary

when two languages need to be sent to separate channels.

CH1 – Channel 1 is

heard only

CH2 – Channel 2 is

heard only

CH1 CH2 – Both chan-

nels heard from front

speakers

Fixed PCM

This is useful if you find there is a slight delay before OFF recognizes

the PCM signal on a CD, for instance.

When ON is selected, noise may be output during playback of non-

PCM sources. Please select another input signal if this is a problem.

OFF

DRC

(Dynamic Range Control)

<d>

Adjusts the level of dynamic range for movie soundtracks optimized

for Dolby Digital, DTS, Dolby Digital Plus, Dolby TrueHD, DTS-HD and

DTS-HD Master Audio (you may need to use this feature when listen-

ing to surround sound at low volumes).

AUTO

MAX

MID

OFF

Loud Mgmt

(Loudness Management)

Adjusts the level of dynamic range for movie soundtracks optimized

for Dolby TrueHD (you may need to use this feature when listening to

surround sound at low volumes).

This can only be set when DRC is set to OFF and the input signal is a

Dolby TrueHD signal.

OFF

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