Bedienungsanleitung Pioneer SC-LX78-S (Seite 79 von 141) (Englisch)

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Using other functions

Setting the Audio options

There are a number of additional sound settings you can make using the AUDIO PARAMETER menu. The

defaults, if not stated, are listed in bold.

Important

! Note that if a setting doesn’t appear in the AUDIO PARAMETER menu, it is unavailable due to the current

source, settings and status of the receiver.

1 Press MAIN RECEIVER to switch the remote control to the receiver operation mode, and

then press AUDIO P..

2 Use i/j to select the setting you want to adjust.

Depending on the current status/mode of the receiver, certain options may not be able to be selected. Check the

table below for notes on this.

3 Use k/l to set as necessary.

See the table below for the options available for each setting.

4 Press RETURN to confirm and exit the menu.

Audio parameter menu

Setting What it does Option(s)

MCACC

(MCACC preset)

Selects your favorite MCACC preset memory when multiple preset

memories are saved. When an MCACC preset memory has been

renamed, the given name is displayed.

c M1. MEMORY 1 to

M6. MEMORY 6 d

Default:

M1. MEMORY 1

(Acoustic Calibration EQ)

Switches on/off the effects of EQ Pro.

OFF

S-WAVE

(Standing Wave)

Switches on/off the effects of Standing Wave Control.

OFF

PHASE

(Phase Control)

Switches on/off the effects of Phase Control (page 66 ).

It is automatically set to FULLBND when Full Band Phase Control

measurement is performed (page 67 ). You cannot select FULLBND

before the measurement.

FULLBND

OFF

PHASE C+

(Phase Control Plus)

For discs created with standards other than Phase Control, the LFE

channel is delayed upon recording in the first place. This function

corrects for phase shifting on such discs.

This function is particularly effective when playing multi-channel

music containing low frequency effects (LFE).

When AUTO is selected, not only the low range delay but also the

polarity and correlation are detected to achieve the optimum effect.

c AUTO/0 to 16 (ms) d

Default: AUTO

DELAY

(Sound Delay)

Some monitors have a slight delay when showing video, so the

soundtrack will be slightly out of sync with the picture. By adding a

bit of delay, you can adjust the sound to match the presentation of

the video.

c 0 to 800 (ms) d

Default: 0

TONE

(Tone Control)

Applies the treble and bass tone controls to a source, or bypasses

them completely.

BYPASS

BASS

<a>

Adjusts the amount of bass.

c –6 to +6 (dB) d

Default: 0 (dB)

Setting What it does Option(s)

TREBLE

<a>

Adjusts the amount of treble.

c –6 to +6 (dB) d

Default: 0 (dB)

S.RTRV

(Auto Sound Retriever)

<b>

With the Auto Sound Retriever function, DSP processing is used to

compensate for the loss of audio data upon compression, improving

the sound’s sense of density and modulation.

Also, when a player supporting the Sound Retriever Link function is

connected to the receiver by HDMI, by setting this to ON, the bitrate

information of the compressed audio file being played on the player

is acquired using the Control with HDMI function, and the sound is

optimized based on this information (Sound Retriever Link).

OFF

DNR

(Digital Noise Reduction)

May improve the quality of sound in a noisy source (for example, video

tape with lots of background noise) when switched on.

This only has an effect with 2-channel signal inputs.

This mode is effective for contents with a sampling frequency of 48

kHz or less.

OFF

DIALOG E

(Dialog Enhancement)

<c>

Localizes dialog in the center channel to make it stand out from other

background sounds in a TV or movie soundtrack. By moving from UP1

through UP2 and UP3 up to UP4, you can make the sound source

seem to relocate upwards.

c OFF/FLAT/UP1/UP2/

UP3/UP4 d

Default: OFF

AScale

(Audio Scaler)

When AUTO is selected, Hi-bit32, UpSampling and DFILTER are

automatically set to the optimum settings according to the 2-chan-

nel audio source’s sampling frequency and bit rate to achieve high

quality playback sound.

MANUAL

AUTO

Hi-bit32

<d>

Creates a wider dynamic range with digital sources like CDs, DVDs or

BDs. 16-, 20- and 24-bit PCM as well as compressed audio is requan-

tized to 32 bits, and the high frequency component is interpolated

upon data processing to enable smoother, more subtle musical

expression.

OFF

UpSampling

(Up Sampling)

<d, e>

The 2-channel audio source’s sampling frequency is increased to the

set multiple to achieve high quality playback sound.

x1 (Off)

DFILTER

(Digital Filter)

<d>

Switches the AUDIO DAC (Digital Audio Converter) digital filter type.

One of two settings can be selected: SLOW (soft and warm), SHARP

(solid and tight).

SLOW

SHARP

PQLS

(Precision Quartz Lock Sys-

tem)

Switches the PQLS function between AUTO and OFF (Setting the

PQLS function on page 77 ).

AUTO

OFF

DUAL

(Dual Mono)

Specifies how dual mono encoded Dolby Digital soundtracks should

be played. Dual mono is not widely used, but is sometimes necessary

when two languages need to be sent to separate channels.

CH1 – Channel 1 is

heard only

CH2 – Channel 2 is

heard only

CH1 CH2 – Both chan-

nels heard from front

speakers

SIGSEL

(Signal Select)

Use to switch the input signal type (analog/digital/HDMI) (page 66 ).

AUTO

ANALOG

DIGITAL

<f>

HDMI

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