Bedienungsanleitung Roland BK-9 (Seite 6 von 12) (Englisch)

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User Drum Kit

Kit” name and push the dial to jump to the rename page.

For details see “How to type a name in BK-9” in the BK-9 owner’s

manual.

6. Play the note in the keyboard, whose drum sound you

want to change.

You will hear the current drum sound corresponding to that note

and the display will show its name in the Destination Drum Kit note

eld.

7. Rotate and push the dial to select the “Source Drum

Kit” eld, where you want to take your desired drum

instruments from.

8. Rotate the dial to choose the desiderate Drum Kit and

push it.

NOTE

At the end of the Drum Kit list that came with the BK-9, you will

nd some virtual Drum Kits created for your convenience. These

additional Drum Kits contain the Drum Instruments grouped by

category. See “Additional “Virtual” Drum Kits” (p. 7).

9. Rotate the dial to select the Source Drum Kit Note eld

and push it.

10. Rotate the dial to start scrolling the drum instruments

available in the chosen source drum kit, while playing the

note you want to change in your keyboard.

This way the note (drum instrument) is automatically changed and

you can hear it directly from the keyboard.

The destination Drum Kit note eld now shows the newly chosen

drum instrument name for the note key you have just pressed.

Editing the Single Drum Instrument

11.

Press the [QUICK MENU] button, that is ashing.

The BK-9 shows the following page:

Left Display

12. Use the dial to select the “Rhythm Tone Edit” function.

The following page is shown:

Right Display

The rst row shows the name of selected Drum instrument.

13. Press a note in the keyboard or use the dial to select the

Drum instrument to edit.

The name of the Drum instrument corresponding to the played

note is shown in the rst row.

14. Use the dial to edit the following parameters:

Parameter Value Explanation

Pitch Fine -50~0~+50

This parameter allows you to set the ne tune of

the selected Drum Instrument.

Pitch Coarse 0~127

This parameter allows you to set the coarse tune of

the selected Drum Instrument.

Chorus Send 0~127

Use this parameter to set the chorus send level of

the selected Drum Instrument.

Reverb Send 0~127

Use this parameter to set the chorus send level of

the selected Drum Instrument.

TVF Type

OFF, LPF, BPF,

HPF, PKG,

LPF2, LPF3,

Selects the type of lter. A lter modies the

brightness or thickness of the sound by cutting a

specic frequency range:

• “OFF”: No lter used

• “LPF”: Low Pass Filter. This reduces the volume

of all frequencies above the cuto frequency

(Cuto Freq) in order to round o, or un-brighten

the sound. This is the most common lter used

in synthesizers.

• “BPF”: Band Pass Filter. This leaves only the

frequencies in the region of the cuto frequency

(Cuto Freq), and cuts the rest. This can be useful

when creating distinctive sounds.

• “HPF”: High Pass Filter. This cuts the frequencies

in the region below the cuto frequency (Cuto

Freq). This is suitable for creating percussive

sounds emphasizing their higher tones.

• “PKG”: Peaking Filter. This emphasizes the

frequencies in the region of the cuto frequency

(Cuto Freq). You can use this to create wah-wah

eects by employing an LFO to change the

cuto frequency cyclically.

• “LPF2”: Low Pass Filter 2. Although frequency

components above the Cuto frequency (Cuto

Freq) are cut, the sensitivity of this lter is half

that of the LPF. This makes it a comparatively

warmer low pass lter. This lter is good for use

with simulated instrument sounds such as the

acoustic piano.

• “LPF3”: Low Pass Filter 3. Although frequency

components above the Cuto frequency (Cuto

Freq) are cut, the sensitivity of this lter changes

according to the Cuto frequency. While this

lter is also good for use with simulated acoustic

instrument sounds, the nuance it exhibits diers

from that of the LPF2, even with the same TVF

Envelope settings

TVF Cuto 0~127

Selects the point at which the lter begins to

have an eect on the waveform’s frequency

components.

TVF Resonance 0~127

Emphasizes the portion of the sound in the region

of the cuto frequency, adding character to the

sound. Excessively high settings can produce

oscillation, causing the sound to distort.

TVF Env Depth -63~0~+63

Species the depth of the TVF envelope. Higher

settings will cause the TVF envelope to produce

greater change. Negative (-) settings will invert the

shape of the envelope.

TVF Env A

0~127

Specify the TVF envelope times (Time A–Time R).

Higher settings will lengthen the time until the

next cuto frequency level is reached

A D S R

4L2L

Note off

Cutoff

Frequency

Time

Note on

TVF Env D

TVF Env S

TVF Env R

TVA Pan -63~+64 Set the pan of the tone.

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