Bedienungsanleitung Roland C-200 (Seite 11 von 52) (Englisch)

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Introduction

Thank you, and congratulations on your choice of a Roland Classic Organ.

The Roland C-200 Classic Organs is a complete organ with 2-manual simu-

lation and numerous features in a compact cabinet.

In order to take full advantage of your C-200 and enjoy trouble-free opera-

tion, please read this owner’s manual carefully.

Please read the section “Getting Ready to Play” on p. 15 and make

the correct preparations for turning on the power.

This manual explains what you need to know to take full advantage

of the C-200, divided into a Basic Operation section and an

Advanced Operation section.

In order to present information as concisely as possible, this manual

uses the following conventions.

• Text enclosed in square brackets [ ] indicates the name of a

button (or knob); e.g., “the [8’I] piston.”

• Text preceded by a symbol such as or an asterisk (*)

refers to warnings. Please be sure to read these.

• Text preceded by a symbol such as refers to useful

additional information.

• Pages to which you can refer to for further information are

indicated like this: (p. **)

■

Reproduces the beautiful sound of the classic

organ, grand piano, harpsichord, fortepiano,

celesta and orchestral sounds

Grand, glorious sound is the hallmark of the classic organ. Pro-

viding a rich and spacious ensemble sound complemented by

crystal-clear definition, the C-200 will take you to new musical

heights, while sustaining the tradition of quality, craftsmanship

and innovation.

An authentic grand piano sound is included for solo and

ensemble performances. The sound-producing mechanism of

the harpsichord, the sound of the key release, and the resonance

of the sounding board have been carefully analyzed, and digital

technology is used to reproduce faithfully even the sound of the

plectrum contacting the string when a key is released. You’ll be

able to enjoy beautiful and realistic harpsichord sound.

The fortepiano, the precursor of the piano as we know it today,

produces its sounds via its strings that are struck by hammers

operated by a keyboard. The fortepiano is built entirely of

wood, the strings are struck by hammers covered in hide, pro-

ducing a metallic and brilliant sound. It enabled artists to pave

new ways and therefore explore new possibilities of expression.

There is also a Celesta sound, which is similar to a glockenspiel,

but softer and rounder. In addition, there are 12 orchestral

sounds that can be used either in isolation or together with the

organ section for a richer sound.

■

Two-manual simulation

The C-200’s 76-note keyboard can be split (divided) into two

halves to simulate an instrument equipped with manual I and

manual II.

■

Coupler II/I functionality

The C-200’s coupler function allows you to play the Manual I

sound, along with the Manual II sound on the entire keyboard.

■

Five temperaments to support historically correct

tunings

In addition to equal temperament, you can choose from Werck-

meister, Kirnberger, Vallotti, and Meantone, giving you five

temperaments that can be easily selected by pressing a single

button.

There’s also a Transpose function, which makes it easy to trans-

pose the pitch for additional ways to vary your performance.

■

No maintenance and easy pitch changes

Not only will you never need to replace the plectrums or

strings, you’ll also never need to tune this instrument.

Moreover, the C-200 is not affected by vibration or changes in

humidity or temperature. You’ll always be performing with

precisely accurate pitches guaranteed by digital technology.

It’s also easy to adjust the tuning to match other instruments.

You can furthermore use a single button to easily switch to

Baroque pitch (A= 415Hz), Versailles pitch (A= 392 Hz), Vene-

tian pitch (A= 465Hz) or the default tuning (A= 440Hz).

■

Reverb that enhances the rich acoustics of

chamber music

The built-in digital reverb lets you choose the reverberation of a

variety of environments, ranging from a small room to a large

hall. You can perform using acoustics that are appropriate for

the space you are in.

■

Adjust the volume and balance as appropriate for

your situation

Whether you’re at home, in a small hall, or in a large hall, you

can adjust the volume as appropriate for your situation or the

ensemble with whom you’re performing. You can also use

headphones, so you’ll feel free to practice at any time.

The [Balance] knob allows you to set the balance between man-

ual II and manual I + pedal.

■

Compact form that encompasses both tradition

and functionality

While reflecting the historical tradition of the classic organ, the

C-200 provides the advantage of a light weight and compact

form.

■

Five different classical sections in one instrument

The C-200 comes with five sections for various types of classical

music: “Organ” (PEDAL, MANUAL I, MANUAL II), “Harpsi-

chord”, “Fortepiano”, “Piano” and “Celesta”.

■

Optional pedal boards

Optional pedal boards are available for musicians in search of

full organ functionality.

About this owner’s manual

Conventions used in this manual

Main features

C-200_e.book Page 11 Monday, April 4, 2011 5:22 PM

Roland C-200 Seite 11

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